- See Also
-
Gwern
- “Review Of The Last Unicorn”, Gwern 2024
- “Why Is Western Animation Ugly?”, Gwern 2024
- “How OVAs Worked”, Gwern 2023
- “Review of The Tale of the Princess Kaguya”, Gwern 2016
- “Umineko: The Hopium Of The Magics”, Gwern 2018
- “Hafu Gender Ratios in Anime”, Gwern 2011
- “The Melancholy of Subculture Society”, Gwern 2009
- “In Defense of Inclusionism”, Gwern 2009
- “The Hyperbolic Time Chamber & Brain Emulation”, Gwern 2012
- “The Melancholy of Kyon”, Gwern 2009
- “Death Note: L, Anonymity & Eluding Entropy”, Gwern 2011
- “Who Wrote The Death Note Script?”, Gwern 2009
- “Why Anime?”, Gwern 2011
- “Poems on the Theme of Genshiken”, Gwern 2011
- “Aria’s Past, Present, and Future”, Gwern 2011
- “Parody in Full Metal Panic!”, Gwern 2008
- “Death Note’s Ending”, Gwern 2008
- “Insert, Abort, Retry?”, Gwern 2012
- “Brave Poem”, Gwern 2010
-
Links
- “Limited Animation, Unlimited Seriality: The Configurations of the Serial in the Anime Series Haha O Tazunete Sanzenri, Akage No An and Tanoshî Mûmin Ikka”, Schwaab 2024
- “Animation Platforms: Yoshiyama Yū, Tropical Rouge! Pretty Cure, and Sakuga As New Media”, Tai 2024
- “The Making of The Last Unicorn”
- “A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’”, Mes & Agnoli 2021
- “What’s the Story With Shenmue?”, Ciolek 2020
- “Traveling Whimsical Roads With Izumi Matsumoto”, Callahan 2020
- “Skeb Artwork Commissioning Website: Review: Commission Your Favourite Japanese Artists With Auto-Translation”, Worboys 2020
- “Media Mix and Character Marketing in Madoka Magica”, Gough 2020
- “The Effects of Internet Book Piracy: The Case of Comics”, Tanaka 2019 (page 2)
- “The Inner Life of Chinese Teenagers”, Greer 2019
- “How Women's Manga Has Performed the Image of ASIAs, Globally and Locally”, Ogi 2019
- “TVTropes: Mobile Suit Gundam: Char’s Counterattack”, TVTropes 2019
- “Analysis and Qualitative Effects of Large Breasts on Aerodynamic Performance and Wake of a Miss Kobayashi’s Dragon Maid Character”, Rabino 2018
- “Predicting Personality from Book Preferences With User-Generated Content Labels”, Annalyn et al 2017
- “Review: Belladonna of Sadness”, Elkins 2016
- “The Ritualization of the ‘Bank System’ in Japanese TV Animation With Hero or Heroine”, Chang & Tseng 2015
- “Otaku Tourism and the Anime Pilgrimage Phenomenon in Japan”, Okamoto 2014
- “Contents Tourism and Local Community Response: Lucky Star and Collaborative Anime-Induced Tourism in Washimiya”, Yamamura 2014
- “Romancing Pigeons: The Deconstruction of the Dating-Sim in Hatoful Boyfriend”, Lamerichs 2014
- “Utena 2011 Boxset Booklet Commentary”, Ikuhara et al 2013
- “Ero-Anime: Manga Comes Alive”, Sarrazin 2011
- “AMV Remix: Do-It-Yourself Anime Music Videos”, Knobel et al 2010
- “Nordic Quack: Sweden’s Bizarre Tradition of Watching Donald Duck Cartoons on Christmas Eve”, Stahl 2009
- “What Race Do They Represent and Does Mine Have Anything to Do With It? Perceived Racial Categories of Anime Characters”, Lu 2009
- “Case Study: Anime Music Videos”, Milstein 2007
- “Rule of Rose Staff Interview”, Atlus 2006
- “Otaku Engagements: Subcultural Appropriation of Science and Technology”, Eng 2006
- “Toshio Okada on the Otaku, Anime History, and Japanese Culture: Luncheon Talk”, Izawa 2003
- “Ralph Bakshi”, Robinson & Bakshi 2000
- “CHAIR”, Mori 2000
- “You Dumb Babies! How Raising the Rugrats Children Became As Difficult As the Real Thing”, Swartz 1998
- “Magical Girls and Atomic Bomb Sperm: Japanese Animation in America”
- “Excerpts from the Hideaki Anno/Yoshiyuki Tomino Interview from the Char’s Counterattack Fan Club Book (1993) § Pg4”, Anno et al 1993 (page 4)
- “Regionalism in Disney Animation: Pink Elephants and Dumbo”, Langer 1990
- “A Grave of Fireflies”, Nosaka 1978
- “An Experimental Study of Apparent Behavior”, Heider & Simmel 1944
- “The Making of Final Fantasy VII”
- “An Introduction to Limited Animation”
- “Interview: Anime Soundtracker Yoko Kanno”
- “Warner Bros Taps Shane Black For Japanese Manga Death Note”
- “Blendshape and Kinematics Calculator for Mediapipe/Tensorflow.js Face, Eyes, Pose, and Finger Tracking Models.”
- “Is the Great Attractor a Tengen Toppa Gurren Lagann?”
- “Akizuki KanColle Wiki”
- “Rule of Cool”, TVTropes 2024
- “Warner Brings Death to Big Screen: Studio Acquires Rights to Japanese Manga Series”
- “What's Opera, Doc?”
- “Japanese Sound Effects and What They Mean”
- “How We Should Live—Girls’ Last Tour: Interview With Tsukumizu”
- Arknights
- “Japanese Anime Studio Khara Moving to Blender”
- “Ultimate Rock-Paper-Scissors—Baka-Updates Manga”
- “My Deer Friend Nokotan § Torako’s Dance”
- “The Genius Design of Cowboy Bebop's Titles”
- “The Last Unicorn—Theatrical Version—Molly Grue Meeting the Unicorn Scene Uncut”
- “‘Steamed Hams’ but It’s a Visual Novel”
- “Nichijou—Ehhh‽ (Episode 10, Part 41, nagashi Somen in the Park)”
- Sort By Magic
- Wikipedia
- Miscellaneous
- Bibliography
See Also
Gwern
“Review Of The Last Unicorn”, Gwern 2024
“Why Is Western Animation Ugly?”, Gwern 2024
“How OVAs Worked”, Gwern 2023
“Review of The Tale of the Princess Kaguya”, Gwern 2016
“Umineko: The Hopium Of The Magics”, Gwern 2018
“Hafu Gender Ratios in Anime”, Gwern 2011
“The Melancholy of Subculture Society”, Gwern 2009
“In Defense of Inclusionism”, Gwern 2009
“The Hyperbolic Time Chamber & Brain Emulation”, Gwern 2012
“The Melancholy of Kyon”, Gwern 2009
“Death Note: L, Anonymity & Eluding Entropy”, Gwern 2011
“Who Wrote The Death Note Script?”, Gwern 2009
“Why Anime?”, Gwern 2011
“Poems on the Theme of Genshiken”, Gwern 2011
“Aria’s Past, Present, and Future”, Gwern 2011
“Parody in Full Metal Panic!”, Gwern 2008
“Death Note’s Ending”, Gwern 2008
“Insert, Abort, Retry?”, Gwern 2012
“Brave Poem”, Gwern 2010
Links
“Limited Animation, Unlimited Seriality: The Configurations of the Serial in the Anime Series Haha O Tazunete Sanzenri, Akage No An and Tanoshî Mûmin Ikka”, Schwaab 2024
“Animation Platforms: Yoshiyama Yū, Tropical Rouge! Pretty Cure, and Sakuga As New Media”, Tai 2024
Animation Platforms: Yoshiyama Yū, Tropical Rouge! Pretty Cure, and Sakuga as New Media
“The Making of The Last Unicorn”
“A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’”, Mes & Agnoli 2021
A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’
“What’s the Story With Shenmue?”, Ciolek 2020
“Traveling Whimsical Roads With Izumi Matsumoto”, Callahan 2020
“Skeb Artwork Commissioning Website: Review: Commission Your Favourite Japanese Artists With Auto-Translation”, Worboys 2020
“Media Mix and Character Marketing in Madoka Magica”, Gough 2020
“The Effects of Internet Book Piracy: The Case of Comics”, Tanaka 2019 (page 2)
“The Inner Life of Chinese Teenagers”, Greer 2019
“How Women's Manga Has Performed the Image of ASIAs, Globally and Locally”, Ogi 2019
How Women's Manga Has Performed the Image of ASIAs, Globally and Locally:
View PDF:
“TVTropes: Mobile Suit Gundam: Char’s Counterattack”, TVTropes 2019
“Analysis and Qualitative Effects of Large Breasts on Aerodynamic Performance and Wake of a Miss Kobayashi’s Dragon Maid Character”, Rabino 2018
“Predicting Personality from Book Preferences With User-Generated Content Labels”, Annalyn et al 2017
Predicting Personality from Book Preferences with User-Generated Content Labels
“Review: Belladonna of Sadness”, Elkins 2016
“The Ritualization of the ‘Bank System’ in Japanese TV Animation With Hero or Heroine”, Chang & Tseng 2015
The Ritualization of the ‘Bank System’ in Japanese TV Animation with Hero or Heroine
“Otaku Tourism and the Anime Pilgrimage Phenomenon in Japan”, Okamoto 2014
“Contents Tourism and Local Community Response: Lucky Star and Collaborative Anime-Induced Tourism in Washimiya”, Yamamura 2014
“Romancing Pigeons: The Deconstruction of the Dating-Sim in Hatoful Boyfriend”, Lamerichs 2014
Romancing Pigeons: The Deconstruction of the Dating-Sim in Hatoful Boyfriend:
“Utena 2011 Boxset Booklet Commentary”, Ikuhara et al 2013
“Ero-Anime: Manga Comes Alive”, Sarrazin 2011
“AMV Remix: Do-It-Yourself Anime Music Videos”, Knobel et al 2010
“Nordic Quack: Sweden’s Bizarre Tradition of Watching Donald Duck Cartoons on Christmas Eve”, Stahl 2009
Nordic Quack: Sweden’s bizarre tradition of watching Donald Duck cartoons on Christmas Eve
“What Race Do They Represent and Does Mine Have Anything to Do With It? Perceived Racial Categories of Anime Characters”, Lu 2009
“Case Study: Anime Music Videos”, Milstein 2007
“Rule of Rose Staff Interview”, Atlus 2006
“Otaku Engagements: Subcultural Appropriation of Science and Technology”, Eng 2006
Otaku engagements: Subcultural appropriation of science and technology
“Toshio Okada on the Otaku, Anime History, and Japanese Culture: Luncheon Talk”, Izawa 2003
Toshio Okada on the Otaku, Anime History, and Japanese Culture: Luncheon Talk
“Ralph Bakshi”, Robinson & Bakshi 2000
“CHAIR”, Mori 2000
“You Dumb Babies! How Raising the Rugrats Children Became As Difficult As the Real Thing”, Swartz 1998
You Dumb Babies! How raising the Rugrats children became as difficult as the real thing:
View PDF:
“Magical Girls and Atomic Bomb Sperm: Japanese Animation in America”
Magical Girls and Atomic Bomb Sperm: Japanese Animation in America:
View PDF:
“Excerpts from the Hideaki Anno/Yoshiyuki Tomino Interview from the Char’s Counterattack Fan Club Book (1993) § Pg4”, Anno et al 1993 (page 4)
“Regionalism in Disney Animation: Pink Elephants and Dumbo”, Langer 1990
“A Grave of Fireflies”, Nosaka 1978
View PDF:
“An Experimental Study of Apparent Behavior”, Heider & Simmel 1944
“The Making of Final Fantasy VII”
“An Introduction to Limited Animation”
“Interview: Anime Soundtracker Yoko Kanno”
“Warner Bros Taps Shane Black For Japanese Manga Death Note”
Warner Bros Taps Shane Black For Japanese Manga Death Note:
“Blendshape and Kinematics Calculator for Mediapipe/Tensorflow.js Face, Eyes, Pose, and Finger Tracking Models.”
“Is the Great Attractor a Tengen Toppa Gurren Lagann?”
“Akizuki KanColle Wiki”
View External Link:
“Rule of Cool”, TVTropes 2024
“Warner Brings Death to Big Screen: Studio Acquires Rights to Japanese Manga Series”
Warner brings Death to big screen: Studio acquires rights to Japanese manga series:
“What's Opera, Doc?”
“Japanese Sound Effects and What They Mean”
“How We Should Live—Girls’ Last Tour: Interview With Tsukumizu”
How we should live—Girls’ Last Tour: Interview with Tsukumizu:
Arknights
“Japanese Anime Studio Khara Moving to Blender”
“Ultimate Rock-Paper-Scissors—Baka-Updates Manga”
“My Deer Friend Nokotan § Torako’s Dance”
“The Genius Design of Cowboy Bebop's Titles”
“The Last Unicorn—Theatrical Version—Molly Grue Meeting the Unicorn Scene Uncut”
The Last Unicorn—theatrical version—Molly Grue meeting the Unicorn scene uncut:
“‘Steamed Hams’ but It’s a Visual Novel”
“Nichijou—Ehhh‽ (Episode 10, Part 41, nagashi Somen in the Park)”
Nichijou—Ehhh‽ (Episode 10, Part 41, nagashi somen in the park):
Sort By Magic
Annotations sorted by machine learning into inferred 'tags'. This provides an alternative way to browse: instead of by date order, one can browse in topic order. The 'sorted' list has been automatically clustered into multiple sections & auto-labeled for easier browsing.
Beginning with the newest annotation, it uses the embedding of each annotation to attempt to create a list of nearest-neighbor annotations, creating a progression of topics. For more details, see the link.
anime-tourism
otaku-culture
anime-theory
Wikipedia
Miscellaneous
-
/doc/anime/2020-04-02-netflix-bringing4kandhdrtoanimeatnetflixwithsollevante.html
: -
/doc/anime/2019-02-26-gpt2anime-samples.txt.xz
:View XZ archive:
-
/doc/anime/2017-girlslasttour-horriblesubs480p-ep05-thesoundofrain.mp4
: -
/doc/anime/2016-khungurn.pdf
:View PDF:
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View PDF:
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/doc/anime/2012-gwern-deathnotescript-stylometricanalysis.tar.xz
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/doc/anime/2011-06-11-nichijou-episode10-part41-nagashisomeninthepark-ehhh.jpg
: -
/doc/anime/2003-newtypeusa-izubuchi.txt
:View text:
-
View PDF:
-
/doc/anime/1967-wagatsuma.pdf
:View PDF:
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https://animationobsessive.substack.com/p/selling-ghost-in-the-shell
-
https://animationobsessive.substack.com/p/the-avant-garde-origins-of-gumby
-
https://animationobsessive.substack.com/p/the-secrets-of-magnetic-rose#%C2%A7splendor-and-decay
-
https://animationobsessive.substack.com/p/what-kazuo-oga-thinks-about-when#%C2%A7ogas-craft
-
https://fullfrontal.moe/animes-present-and-future-interview-with-terumi-nishii-and-ayano-fukumiya/
: -
https://fullfrontal.moe/sakuga-espresso-one-piece-1074/
:View External Link:
-
https://fullfrontal.moe/takeshi-honda-the-boy-and-the-heron-interview/
:View External Link:
https://fullfrontal.moe/takeshi-honda-the-boy-and-the-heron-interview/
-
https://fullfrontal.moe/understanding-urusei-yatsura/
:View External Link:
-
https://milkyeggs.com/japanese/a-sociocultural-comparison-of-japanese-and-american-high-schools/
-
https://strangecomforts.com/the-strange-world-of-japans-pc-98-computer/
-
https://tanoshimi.xyz/2016/11/29/yes-sadpanda-is-one-of-my-sources/
-
https://taskandpurpose.com/culture/realistic-aerial-combat-movie-patlabor-2/
-
https://web.archive.org/web/20200211051856/http://cardcaptor.moekaku.com/?p=112
-
https://web.archive.org/web/20200211051856/http://cardcaptor.moekaku.com/?p=112#genyou-denshou-2
: -
https://www.amazon.com/Japan-Edge-Insiders-Japanese-Subculture/dp/1569313458
-
https://www.anarchonomicon.com/p/the-unkillable-cyberpunk-franchise
-
https://www.animenewsnetwork.com/feature/2023-11-06/what-made-lucky-star-anime-so-iconic/.200904
-
https://www.polygon.com/c/2024/1/22/24034466/anime-is-huge-and-we-finally-have-numbers-to-prove-it
: -
https://www.reddit.com/r/anime/comments/ieiueg/contextualizing_miyazakis_anime_was_a_mistake/
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https://www.reddit.com/r/midjourney/comments/15mkgho/realistic_retro_ghibli_pok%C3%A9mon/
: -
https://www.tokyodev.com/articles/the-rise-and-fall-of-dnd-in-japan
Bibliography
-
2024-tai.pdf
: “Animation Platforms: Yoshiyama Yū, Tropical Rouge! Pretty Cure, and Sakuga As New Media”, -
https://www.tandfonline.com/doi/full/10.1080/09555803.2014.962567
: “Contents Tourism and Local Community Response: Lucky Star and Collaborative Anime-Induced Tourism in Washimiya”, -
1997-utena
: “Utena 2011 Boxset Booklet Commentary”, -
2010-sarrazin
: “Ero-Anime: Manga Comes Alive”, -
2006-eng.pdf
: “Otaku Engagements: Subcultural Appropriation of Science and Technology”, -
1944-heider.pdf
: “An Experimental Study of Apparent Behavior”,