- See Also
-
Links
- “Music Production and Its Role in Coalition Signaling during Foraging Contexts in a Hunter-gatherer Society”, Chittar et al 2023
- “Male Rock Hyraxes That Maintain an Isochronous Song Rhythm Achieve Higher Reproductive Success”, Demartsev et al 2022
- “What’s Next? Artists’ Music After Grammy Awards”, Negro et al 2022
- “Balancing Categorical Conventionality in Music”, Silver et al 2022
- “A Stanford Psychologist Says He’s Cracked the Code of One-Hit Wonders: What Separates Blind Melon from Shania Twain?”, Thompson 2022
- “One-Hit Wonders versus Hit Makers: Sustaining Success in Creative Industries”, Berg 2022
- “Universals and Variations in Musical Preferences: A Study of Preferential Reactions to Western Music in 53 Countries”, Greenberg et al 2022
- “Wastewater Analysis for Psychoactive Substances at Music Festivals across New South Wales, Australia in 2019–2020”, Jonathan et al 2021
- “Genome-wide Association Study of Musical Beat Synchronization Demonstrates High Polygenicity”, Niarchou et al 2021
- “Playlisting Favorites: Measuring Platform Bias in the Music Industry”, Aguiar et al 2021
- “Hide Chopin in the Music: Efficient Information Steganography Via Random Shuffling”, Sun et al 2021
- “The Human Language System Does Not Support Music Processing”, Chen et al 2021
- “Fashion Cycles”, Gwern 2021
- “A Deep Dive into K-pop”, Lakeman 2020
- “Origins of Music in Credible Signaling”, Mehr et al 2020
- “How Wagner Shaped Hollywood: The Composer Has Infiltrated Every Phase of Movie History, from Silent Pictures to Superhero Blockbusters”, Ross 2020
- “‘Just the Way You Are’: Linking Music Listening on Spotify and Personality”, Anderson et al 2020
- “Does Listening to Music Increase Your Ability to Discriminate Musical Sounds?”, Wesseldijk et al 2020
- “From Aristocratic to Ordinary: Shifting Modes of Elite Distinction”, Friedman & Reeves 2020
- “The Weirdly Enduring Appeal of Weird Al Yankovic: National Economies Collapse; Species Go Extinct; Political Movements Rise and Fizzle. But—somehow, for Some Reason—Weird Al Keeps Rocking”, Anderson 2020
- “A New Benchmark for Mechanical Avoidance of Radio Advertising”, Michelon et al 2020
- “Stay True to Your Roots? Category Distance, Hierarchy, and the Performance of New Entrants in the Music Industry”, Younkin & Kashkooli 2020
- “It Had to Be Her: Review of Passionate Spirit: The Life of Alma Mahler, Haste 2019”, Schine 2020
- “Cognitive and Academic Benefits of Music Training With Children: A Multilevel Meta-analysis”, Sala & Gobet 2020
- “The 1-Bit Instrument: The Fundamentals of 1-Bit Synthesis, Their Implementational Implications, and Instrumental Possibilities”, Troise 2020
- “Review: The Searing Beauty of Kentridge’s ‘Wozzeck’ at the Met: The Artist William Kentridge Uses His Trademark Animations to Stage Berg’s Bleak Opera about a Delusional Soldier”, Tommasini 2019
- “People Prefer Simpler Content When There Are More Choices: A Time Series Analysis of Lyrical Complexity in Six Decades of American Popular Music”, Varnum et al 2019
- “The Universal Decay of Collective Memory and Attention”, Candia et al 2019
- “Writing ‘Akhnaten’: A Co-author of Philip Glass’ Egyptian Opera, Opening at the Met This Weekend, Recalls How the Monotheistic ‘heretic Pharaoh’ Became the Fat Lady”, Goldman 2019
- “Brain, Music and Emotion: An EEG Proof-of-concept Study on Musically Continuous, Non-personalized Emotional Responses”, Papatzikis & Herbst 2019
- “Predicting Musical Aptitude and Achievement: Practice, Teaching, and Intelligence”, Mosing et al 2019
- “Questing for Transcendence”, Greer 2019
- “Fashion and Art Cycles Are Driven by Counter-dominance Signals of Elite Competition: Quantitative Evidence from Music Styles”, Klimek et al 2019
- “Universality and Diversity in Human Song”, Mehr et al 2019
- “Predictability and Uncertainty in the Pleasure of Music: A Reward for Learning?”, Gold et al 2019
- “Autistic Traits, Resting-state Connectivity and Absolute Pitch in Professional Musicians: Shared and Distinct Neural Features”, Wenhart et al 2018
- “MLP: Immanetizing The Equestrian”, Gwern 2018
- “Umineko: The Opium Of The Magics”, Gwern 2018
- “Sounds from Seeing Silent Motion: Who Hears Them, and What Looks Loudest?”, Fassnidge & Freeman 2018
- “Measuring Consumer Sensitivity to Audio Advertising: A Field Experiment on Pandora Internet Radio”, Huang et al 2018
- “Musical Preferences Predict Personality: Evidence From Active Listening and Facebook Likes”, Nave et al 2018
- “Neural Correlates of Familiarity in Music Listening: A Systematic Review and a Neuroimaging Meta-Analysis”, Freitas et al 2018
- “Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery”, Datta et al 2017
- “What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music”, Askin & Mauskapf 2017
- “When the Music’s Over. Does Music Skill Transfer to Children’s and Young Adolescents' Cognitive and Academic Skills? A Meta-analysis”, Sala & Gobet 2017
- “Prevalence of Congenital Amusia”, Peretz & Vuvan 2016
- “Personality Related Traits As Predictors of Music Practice: Underlying Environmental and Genetic Influences”, Butkovic et al 2015
- “Did Sexual Selection Shape Human Music? Testing Predictions from the Sexual Selection Hypothesis of Music Evolution Using a Large Genetically Informative Sample of over 10,000 Twins”, Mosing et al 2015
- “Better All the Time: How the ‘performance Revolution’ Came to Athletics—and Beyond”, Surowiecki 2014
- “Practice Does Not Make Perfect: No Causal Effect of Music Practice on Music Ability”, Mosing et al 2014
- “Deliberate Practice: Is That All It Takes to Become an Expert?”, Hambrick et al 2014
- “A Case of Musical Preference for Johnny Cash following Deep Brain Stimulation of the Nucleus Accumbens”, Mantione et al 2014
- “The Genetic Basis of Music Ability”, Tan et al 2014
- “The Genetics of Music Accomplishment: Evidence for Gene-environment Correlation and Interaction”, Hambrick & Tucker-Drob 2014
- “Two Randomized Trials Provide No Consistent Evidence for Nonmusical Cognitive Benefits of Brief Preschool Music Enrichment”, Mehr et al 2013
- “Is It the Music or Is It Selection Bias? A Nationwide Analysis of Music and Non-Music Students’ SAT Scores”, Elpus 2013
- “Touhou Music by the Numbers”, Gwern 2013
- “Utena 2011 Boxset Booklet Commentary”, Ikuhara et al 2013
- “Music in the Exercise Domain: a Review and Synthesis (Part I)”, Karageorghis & Priest 2012
- “Music in the Exercise Domain: a Review and Synthesis (Part II)”, Karageorghis & Priest 2012
- “Aesthetics of Destruction: Music and the Worldview of Shinji Ikari in Neon Genesis Evangelion”, Hoffer 2012
- “A Neural Predictor of Cultural Popularity”, Berns & Moore 2011
- “Komm Susser Tod”, Gwern 2010
- “File Sharing and Copyright”, Oberholzer-Gee & Strumpf 2010
- “AMV Remix: Do-it-yourself Anime Music Videos”, Knobel et al 2010
- “Culture Is Not About Esthetics”, Gwern 2009
- “Musical Aptitude Is Associated With AVPR1A-Haplotypes”, Ukkola et al 2009
- “The Sound of Change: Visually-induced Auditory Synaesthesia”, Saenz & Koch 2008
- “Leading the Herd Astray: An Experimental Study of Self-Fulfilling Prophecies in an Artificial Cultural Market”, Salganik & Watts 2008
- “The Predictive Relationship between Achievement and Participation in Music and Achievement in Core Grade 12 Academic Subjects”, Gouzouasis et al 2007
- “Case Study: Anime Music Videos”, Milstein 2007
- “Effects of Three Years of Piano Instruction on Children’s Academic Achievement, School Performance and Self-Esteem”, Costa-Giomi 2004
- “40 Lives in the Bebop Business: Mental Health in a Group of Eminent Jazz Musicians”, Willis 2003
- “‘Kind of Blue’: Creativity, Mental Disorder and Jazz”, Poole 2003
- “Piracy Is Progressive Taxation, and Other Thoughts on the Evolution of Online Distribution: Seven Lessons from Tim O’Reilly’s Experience As an Author and Publisher”, O’Reilly 2002
- “The Session”, community 2001
- “Subjective Complexity, Familiarity, and Liking for Popular Music”, North & Hargreaves 1995
- “Japan Sings Along With Beethoven”, Weisman 1990
- “The Rocky Road from Actions to Intentions”, Newton 1990
- “Development of Liking for Familiar and Unfamiliar Melodies”, Hargreaves & Castell 1987
- “The Effects of Repetition on Liking for Music”, Hargreaves 1984
- “Novelty and Human Esthetic Preferences”, Sluckin et al 1983
- “Some Experimental Studies of Familiarity and Liking”, Sluckin et al 1982
- “An Experimental Study of "hypnotic" (auditory and Visual) Hallucinations”, Barber & Calverley 1964
- “Musical Preferences and Personality Diagnosis: I. A Factorization of One Hundred and Twenty Themes”, Cattell & Saunders 1954
- “The Xentric Files: Here’s a Real Story from Space”
- Sort By Magic
- Wikipedia
- Miscellaneous
- Link Bibliography
See Also
Links
“Music Production and Its Role in Coalition Signaling during Foraging Contexts in a Hunter-gatherer Society”, Chittar et al 2023
“Male Rock Hyraxes That Maintain an Isochronous Song Rhythm Achieve Higher Reproductive Success”, Demartsev et al 2022
“Male rock hyraxes that maintain an isochronous song rhythm achieve higher reproductive success”
“What’s Next? Artists’ Music After Grammy Awards”, Negro et al 2022
“Balancing Categorical Conventionality in Music”, Silver et al 2022
“A Stanford Psychologist Says He’s Cracked the Code of One-Hit Wonders: What Separates Blind Melon from Shania Twain?”, Thompson 2022
“One-Hit Wonders versus Hit Makers: Sustaining Success in Creative Industries”, Berg 2022
“One-Hit Wonders versus Hit Makers: Sustaining Success in Creative Industries”
“Universals and Variations in Musical Preferences: A Study of Preferential Reactions to Western Music in 53 Countries”, Greenberg et al 2022
“Wastewater Analysis for Psychoactive Substances at Music Festivals across New South Wales, Australia in 2019–2020”, Jonathan et al 2021
“Genome-wide Association Study of Musical Beat Synchronization Demonstrates High Polygenicity”, Niarchou et al 2021
“Genome-wide association study of musical beat synchronization demonstrates high polygenicity”
“Playlisting Favorites: Measuring Platform Bias in the Music Industry”, Aguiar et al 2021
“Playlisting favorites: Measuring platform bias in the music industry”
“Hide Chopin in the Music: Efficient Information Steganography Via Random Shuffling”, Sun et al 2021
“Hide Chopin in the Music: Efficient Information Steganography Via Random Shuffling”
“The Human Language System Does Not Support Music Processing”, Chen et al 2021
“The human language system does not support music processing”
“Fashion Cycles”, Gwern 2021
“A Deep Dive into K-pop”, Lakeman 2020
“Origins of Music in Credible Signaling”, Mehr et al 2020
“How Wagner Shaped Hollywood: The Composer Has Infiltrated Every Phase of Movie History, from Silent Pictures to Superhero Blockbusters”, Ross 2020
“‘Just the Way You Are’: Linking Music Listening on Spotify and Personality”, Anderson et al 2020
“‘Just the Way You Are’: Linking Music Listening on Spotify and Personality”
“Does Listening to Music Increase Your Ability to Discriminate Musical Sounds?”, Wesseldijk et al 2020
“Does listening to music increase your ability to discriminate musical sounds?”
“From Aristocratic to Ordinary: Shifting Modes of Elite Distinction”, Friedman & Reeves 2020
“From Aristocratic to Ordinary: Shifting Modes of Elite Distinction”
“The Weirdly Enduring Appeal of Weird Al Yankovic: National Economies Collapse; Species Go Extinct; Political Movements Rise and Fizzle. But—somehow, for Some Reason—Weird Al Keeps Rocking”, Anderson 2020
“A New Benchmark for Mechanical Avoidance of Radio Advertising”, Michelon et al 2020
“A New Benchmark for Mechanical Avoidance of Radio Advertising”
“Stay True to Your Roots? Category Distance, Hierarchy, and the Performance of New Entrants in the Music Industry”, Younkin & Kashkooli 2020
“It Had to Be Her: Review of Passionate Spirit: The Life of Alma Mahler, Haste 2019”, Schine 2020
“It Had to Be Her: Review of Passionate Spirit: The Life of Alma Mahler, Haste 2019”
“Cognitive and Academic Benefits of Music Training With Children: A Multilevel Meta-analysis”, Sala & Gobet 2020
“Cognitive and academic benefits of music training with children: A multilevel meta-analysis”
“The 1-Bit Instrument: The Fundamentals of 1-Bit Synthesis, Their Implementational Implications, and Instrumental Possibilities”, Troise 2020
“Review: The Searing Beauty of Kentridge’s ‘Wozzeck’ at the Met: The Artist William Kentridge Uses His Trademark Animations to Stage Berg’s Bleak Opera about a Delusional Soldier”, Tommasini 2019
“People Prefer Simpler Content When There Are More Choices: A Time Series Analysis of Lyrical Complexity in Six Decades of American Popular Music”, Varnum et al 2019
“The Universal Decay of Collective Memory and Attention”, Candia et al 2019
“Writing ‘Akhnaten’: A Co-author of Philip Glass’ Egyptian Opera, Opening at the Met This Weekend, Recalls How the Monotheistic ‘heretic Pharaoh’ Became the Fat Lady”, Goldman 2019
“Brain, Music and Emotion: An EEG Proof-of-concept Study on Musically Continuous, Non-personalized Emotional Responses”, Papatzikis & Herbst 2019
“Predicting Musical Aptitude and Achievement: Practice, Teaching, and Intelligence”, Mosing et al 2019
“Predicting Musical Aptitude and Achievement: Practice, Teaching, and Intelligence”
“Questing for Transcendence”, Greer 2019
“Fashion and Art Cycles Are Driven by Counter-dominance Signals of Elite Competition: Quantitative Evidence from Music Styles”, Klimek et al 2019
“Universality and Diversity in Human Song”, Mehr et al 2019
“Predictability and Uncertainty in the Pleasure of Music: A Reward for Learning?”, Gold et al 2019
“Predictability and Uncertainty in the Pleasure of Music: A Reward for Learning?”
“Autistic Traits, Resting-state Connectivity and Absolute Pitch in Professional Musicians: Shared and Distinct Neural Features”, Wenhart et al 2018
“MLP: Immanetizing The Equestrian”, Gwern 2018
“Umineko: The Opium Of The Magics”, Gwern 2018
“Sounds from Seeing Silent Motion: Who Hears Them, and What Looks Loudest?”, Fassnidge & Freeman 2018
“Sounds from seeing silent motion: Who hears them, and what looks loudest?”
“Measuring Consumer Sensitivity to Audio Advertising: A Field Experiment on Pandora Internet Radio”, Huang et al 2018
“Measuring Consumer Sensitivity to Audio Advertising: A Field Experiment on Pandora Internet Radio”
“Neural Correlates of Familiarity in Music Listening: A Systematic Review and a Neuroimaging Meta-Analysis”, Freitas et al 2018
“Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery”, Datta et al 2017
“What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music”, Askin & Mauskapf 2017
“What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music”
“When the Music’s Over. Does Music Skill Transfer to Children’s and Young Adolescents' Cognitive and Academic Skills? A Meta-analysis”, Sala & Gobet 2017
“Prevalence of Congenital Amusia”, Peretz & Vuvan 2016
“Personality Related Traits As Predictors of Music Practice: Underlying Environmental and Genetic Influences”, Butkovic et al 2015
“Did Sexual Selection Shape Human Music? Testing Predictions from the Sexual Selection Hypothesis of Music Evolution Using a Large Genetically Informative Sample of over 10,000 Twins”, Mosing et al 2015
“Better All the Time: How the ‘performance Revolution’ Came to Athletics—and Beyond”, Surowiecki 2014
“Better All the Time: How the ‘performance revolution’ came to athletics—and beyond”
“Practice Does Not Make Perfect: No Causal Effect of Music Practice on Music Ability”, Mosing et al 2014
“Practice Does Not Make Perfect: No Causal Effect of Music Practice on Music Ability”
“Deliberate Practice: Is That All It Takes to Become an Expert?”, Hambrick et al 2014
“Deliberate practice: Is that all it takes to become an expert?”
“A Case of Musical Preference for Johnny Cash following Deep Brain Stimulation of the Nucleus Accumbens”, Mantione et al 2014
“The Genetic Basis of Music Ability”, Tan et al 2014
“The Genetics of Music Accomplishment: Evidence for Gene-environment Correlation and Interaction”, Hambrick & Tucker-Drob 2014
“The genetics of music accomplishment: Evidence for gene-environment correlation and interaction”
“Two Randomized Trials Provide No Consistent Evidence for Nonmusical Cognitive Benefits of Brief Preschool Music Enrichment”, Mehr et al 2013
“Is It the Music or Is It Selection Bias? A Nationwide Analysis of Music and Non-Music Students’ SAT Scores”, Elpus 2013
“Touhou Music by the Numbers”, Gwern 2013
“Utena 2011 Boxset Booklet Commentary”, Ikuhara et al 2013
“Music in the Exercise Domain: a Review and Synthesis (Part I)”, Karageorghis & Priest 2012
“Music in the exercise domain: a review and synthesis (Part I)”
“Music in the Exercise Domain: a Review and Synthesis (Part II)”, Karageorghis & Priest 2012
“Music in the exercise domain: a review and synthesis (Part II)”
“Aesthetics of Destruction: Music and the Worldview of Shinji Ikari in Neon Genesis Evangelion”, Hoffer 2012
“Aesthetics of Destruction: Music and the Worldview of Shinji Ikari in Neon Genesis Evangelion”
“A Neural Predictor of Cultural Popularity”, Berns & Moore 2011
“Komm Susser Tod”, Gwern 2010
“File Sharing and Copyright”, Oberholzer-Gee & Strumpf 2010
“AMV Remix: Do-it-yourself Anime Music Videos”, Knobel et al 2010
“Culture Is Not About Esthetics”, Gwern 2009
“Musical Aptitude Is Associated With AVPR1A-Haplotypes”, Ukkola et al 2009
“The Sound of Change: Visually-induced Auditory Synaesthesia”, Saenz & Koch 2008
“The sound of change: visually-induced auditory synaesthesia”
“Leading the Herd Astray: An Experimental Study of Self-Fulfilling Prophecies in an Artificial Cultural Market”, Salganik & Watts 2008
“The Predictive Relationship between Achievement and Participation in Music and Achievement in Core Grade 12 Academic Subjects”, Gouzouasis et al 2007
“Case Study: Anime Music Videos”, Milstein 2007
“Effects of Three Years of Piano Instruction on Children’s Academic Achievement, School Performance and Self-Esteem”, Costa-Giomi 2004
“40 Lives in the Bebop Business: Mental Health in a Group of Eminent Jazz Musicians”, Willis 2003
“40 lives in the bebop business: Mental health in a group of eminent jazz musicians”
“‘Kind of Blue’: Creativity, Mental Disorder and Jazz”, Poole 2003
“Piracy Is Progressive Taxation, and Other Thoughts on the Evolution of Online Distribution: Seven Lessons from Tim O’Reilly’s Experience As an Author and Publisher”, O’Reilly 2002
“The Session”, community 2001
“Subjective Complexity, Familiarity, and Liking for Popular Music”, North & Hargreaves 1995
“Subjective complexity, familiarity, and liking for popular music”
“Japan Sings Along With Beethoven”, Weisman 1990
“The Rocky Road from Actions to Intentions”, Newton 1990
“Development of Liking for Familiar and Unfamiliar Melodies”, Hargreaves & Castell 1987
“Development of Liking for Familiar and Unfamiliar Melodies”
“The Effects of Repetition on Liking for Music”, Hargreaves 1984
“Novelty and Human Esthetic Preferences”, Sluckin et al 1983
“Some Experimental Studies of Familiarity and Liking”, Sluckin et al 1982
“An Experimental Study of "hypnotic" (auditory and Visual) Hallucinations”, Barber & Calverley 1964
“An experimental study of "hypnotic" (auditory and visual) hallucinations”
“Musical Preferences and Personality Diagnosis: I. A Factorization of One Hundred and Twenty Themes”, Cattell & Saunders 1954
“Musical Preferences and Personality Diagnosis: I. A Factorization of One Hundred and Twenty Themes”
“The Xentric Files: Here’s a Real Story from Space”
Sort By Magic
Annotations sorted by machine learning into inferred 'tags'. This provides an alternative way to browse: instead of by date order, one can browse in topic order. The 'sorted' list has been automatically clustered into multiple sections & auto-labeled for easier browsing.
Beginning with the newest annotation, it uses the embedding of each annotation to attempt to create a list of nearest-neighbor annotations, creating a progression of topics. For more details, see the link.
preferences
musicality
musical-aptitude
academic-performance
exercise-music
popularity
Wikipedia
Miscellaneous
-
/doc/music/2022-silver-figure3-inverteducurveofnoveltyvspopularityacross2millionmyspacebands.jpg
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http://grantland.com/features/chuck-klosterman-kiss-hall-of-fame/
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http://www.japantimes.co.jp/news/2014/04/01/national/music-educators-tapping-vocaloid/
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https://aeon.co/essays/its-hard-to-know-why-music-gives-pleasure-is-that-the-point
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https://aeon.co/magazine/culture/why-we-love-repetition-in-music
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https://chat.openai.com/share/261034ff-f5d5-404c-b354-c9d58e3af509
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https://daily.redbullmusicacademy.com/2014/11/yoko-kanno-interview/
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https://daringfireball.net/2023/03/game_over_vocal_deepfakes
-
https://dustri.org/b/horrible-edge-cases-to-consider-when-dealing-with-music.html
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https://medium.com/@Vinylmint/history-of-the-record-industry-1920-1950s-6d491d7cb606
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https://pitchfork.com/features/article/discord-music-fandoms/
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https://psyche.co/guides/how-to-find-new-music-amid-all-the-streaming-abundance
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https://thehustle.co/the-company-that-has-a-monopoly-on-ice-cream-truck-music/
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https://web.archive.org/web/20070930155442/http://www.andante.com/article/article.cfm?id=16374
-
https://www.atlasobscura.com/articles/why-every-kid-in-america-learns-to-play-the-recorder
-
https://www.cell.com/current-biology/fulltext/S0960-9822(22)00092-6
-
https://www.laweekly.com/ticketmaster-and-servants-bands-get-cut-of-service-fee/
-
https://www.musicradar.com/news/the-history-of-the-gibson-black-beauty
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https://www.newstatesman.com/culture/music/2017/08/x-ray-decks-lost-bone-music-soviet-union
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https://www.newyorker.com/culture/cultural-comment/charles-mansons-musical-ambitions
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https://www.newyorker.com/magazine/2015/04/27/the-man-who-broke-the-music-business
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https://www.newyorker.com/magazine/2018/03/12/did-andrew-lloyd-webber-ruin-the-musical-or-rescue-it
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https://www.newyorker.com/magazine/2021/06/21/the-musical-mysteries-of-josquin
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https://www.newyorker.com/magazine/2023/04/03/david-sulzer-profile-neuroscience-music
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https://www.newyorker.com/magazine/2023/06/05/how-to-hire-a-pop-star-for-your-private-party
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https://www.nytimes.com/2019/06/11/magazine/universal-fire-master-recordings.html
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https://www.nytimes.com/2020/01/07/magazine/hologram-musicians.html
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https://www.texasmonthly.com/arts-entertainment/mack-mccormick-quest-to-find-real-robert-johnson/
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https://www.theguardian.com/music/2013/sep/21/secret-bach-teenage-thug
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https://www.theringer.com/music/2021/5/25/22452539/soundscan-billboard-charts-streaming-numbers
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https://www.thespl.it/p/the-rise-of-tiktok-and-understanding
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https://www.vanityfair.com/style/2012/01/prisoners-of-style-201201
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https://www.vqronline.org/essays-articles/2016/07/twinkle-twinkle-vogel-staar
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https://www.wsj.com/articles/SB10000872396390443696604577647870908169992
Link Bibliography
-
https://besjournals.onlinelibrary.wiley.com/doi/10.1111/1365-2656.13801
: “Male Rock Hyraxes That Maintain an Isochronous Song Rhythm Achieve Higher Reproductive Success”, Vlad Demartsev, Michal Haddas-Sasson, Amiyaal Ilany, Lee Koren, Eli Geffen -
2022-silver.pdf
: “Balancing Categorical Conventionality in Music”, Daniel Silver, Clayton Childress, Monica Lee, Adam Slez, Fabio Dias -
2021-aguiar.pdf
: “Playlisting Favorites: Measuring Platform Bias in the Music Industry”, Luis Aguiar, Joel Waldfogel, Sarah Waldfogel -
2020-anderson.pdf
: “‘Just the Way You Are’: Linking Music Listening on Spotify and Personality”, Ian Anderson, Santiago Gil, Clay Gibson, Scott Wolf, Will Shapiro, Oguz Semerci, David M. Greenberg -
2020-wesseldijk.pdf
: “Does Listening to Music Increase Your Ability to Discriminate Musical Sounds?”, Laura W. Wesseldijk, Fredrik Ullén, Miriam A. Mosing -
https://journals.sagepub.com/doi/full/10.1177/0003122420912941
: “From Aristocratic to Ordinary: Shifting Modes of Elite Distinction”, Sam Friedman, Aaron Reeves -
https://www.journalofexpertise.org/articles/volume2_issue3/JoE_2019_2_3_Mosing_etal.pdf
: “Predicting Musical Aptitude and Achievement: Practice, Teaching, and Intelligence”, Miriam A. Mosing, David Z. Hambrick, Fredrik Ullén -
mlp
: “MLP: Immanetizing The Equestrian”, Gwern -
umineko
: “Umineko: The Opium Of The Magics”, Gwern -
touhou
: “Touhou Music by the Numbers”, Gwern -
1997-utena
: “Utena 2011 Boxset Booklet Commentary”, -
komm-susser-tod
: “Komm Susser Tod”, Gwern -
culture-is-not-about-esthetics
: “Culture Is Not About Esthetics”, Gwern