A Christmas Protestation
Satirical Christmas monologue by unreliable narrator disavowing his sins to Santa Claus; 16-stanza 64-line comic monologue in rhyming couplets, using regular iambic pentameter.
Dear Santa, pray accept this urgent plea
And burn your police reports regarding me.
I write to clear my name of wicked lies,
That cast me as a fiend in festive guise!
I’ve never peeped at presents through their wrap,
Nor rigged the cracker for a louder snap.
I haven’t pinched a mince pie from your stash,
Nor watered down your sherry, splash by splash.
<!– #3 – > I’ve not re-gifted socks from years before,
Nor tracked in mud across your workshop floor.
I’ve never pushed ahead in greeting lines,
Nor pilfered Advent treats from cardboard shrines.
The star upon your tree stayed where it sat,
(Though now it does appear a trifle flat).
I haven’t hoarded all the toffee gold,
Nor fed sprouts to kittens out in the cold.
Now let us turn to graver accusations—
I’ve not spiked your milk with foul libations.
(Though last year you turned an unwholesome green—
The strangest Yuletide shade I’ve ever seen.)
I haven’t led the carolers astray
To brine them for a feast on Christmas Day.
I haven’t laced the reindeer feed with glass,
Or strewn their limbs across the frosty grass.
They claim I boil the beggar-children’s bones
To build a xylophone of gristly tones—
Pure slander! (Though I will admit, with no duress
The timbre is delightful, I confess.)
I’ve never stirred your cocoa thick with lead,
Or milked poor Rudolph’s nose until he bled.
I’d never net an elf (even for sport),
Or grind them into pâté (served with port).
The health inspector missing since last year?
Mere happenstance—he’ll be back, never fear.
And should my meat pie taste a trifle strange,
Well, recipes are sometimes ripe for change.
I never stitch my dolls from human skin,
(A fabric that is famously too thin).
Those muffled sounds beneath my cellar door?
Just carols—nothing you need to explore.
The postman who went missing with those lists?
He vanished in the fog that curls and twists.
If parcels tick beneath their silken bows,
They’re merely clocks—I signed for each of those.
I haven’t stuffed the goose with ground-up crow,
Or wired your chimney to explode below.
Nor sealed your elves in barrels as they sleep,
Nor gift-wrapped heads (the storage fees are cheap).
My motives, Santa, shine as pure as snow;
Ignore that trunk of limbs—it’s just for show.
The sole crime for which I must now atone
Is writing verse in such a ghastly tone!
So grant me gifts, my dear saint; spare me coal—
I’m pure as any name upon your scroll.
The darkest deed I’d never stoop to do
Is write false letters claiming they are true.
For who would pen such grim confessions here,
Then call them lies, with a mien so sincere?
Most faithfully (in festive crimson ink),
Your humble servant, Lord Augustus Fink
P.S. Those are not screams you hear within the night;
Just winter winds that howl with wild delight.
And if you spy a twitching in my sack,
Best move along—and never dare look back.
Colophon. By ChatGPT-4 o1-pro, Claude-3-sonnet-new, & Gwern; initial concept from Brad Leithauser’s “A Good List”, written iteratively through both LLMs with feedback/curation by Gwern.
This was a short experiment in leaning into the mode-collapsed light poetry bias of tuned LLMs, but trying to avoid its usual defects: regularity is a virtue in poetry of this sort, as the incongruity between the rational form and the irrational contents drives much of the comic effect (eg. Lewis Carroll).
To prompt o1-pro, I elicited suggestions about good poets for a darkly humorous Christmas poem, like Roald Dahl or Edward Gorey, explained the concept, and set it to work.
The concept iterated into a monologue where the darkly charming but unreliable narrator “Lord Augustus Fink” denies various Christmas crimes to Santa but inadvertently congesses to them (praeteritio / apophasis), satirizing the Christmas letter format. The 16-stanza structure uses rhyming couplets in quatrains in iambic pentameter, blending Roald Dahl’s dark humor with Edward Gorey’s Gothic style, heavy on litotes & euphemism. The humor comes from the register clash: the contrast between the courtly diction of the formal verse and increasingly absurd & transparently false confessions of Grand Guignol horror. The poem’s effectiveness lies in its escalating transgressions, from minor misdeeds (like stealing Advent calendar chocolates or tracking in mud) to psychopathic acts (animal abuse, murder, cannibalism, extortion), all while maintaining the facade of innocence.
When several versions failed to yield a good ending, I copied them into Claude-3 for its better taste and curating. Then I iterated a few times through them, pointing out specific lines which rhymed but were nonsensical, or where the meter wasn’t quite right. (This took ~2 hours total, but would’ve taken less if I were not sick in bed during Christmas & killing time.)
In November 2025, because the LLMs continued to make progress in their esthetic sensibility, I revisited the poem with ChatGPT-5 Pro, Claude-4.5, and Kimi K2 Thinking. Gemini-2.5-pro, as usual for post-0325-version Geminis, proved largely useless and sycophantic. We were able to clean up the remaining flawed lines. (Mostly in making the images more sensible, and fixing the meter.)
The final original version has an uncanny effect for me: it triggers all my alarm bells for ‘ChatGPTese’, but if I genuinely read it, it’s… kinda good? Then after cleaning it up repeatedly with multiple passes to keep ironing out meter and rhyme issues, I’d say it’s just plain good. In fact, I’m a little embarassed that the best lines (like milking Rudolph’s nose) all came from the LLMs!