“‘typography’ Tag”,2019-11-10 (data visualization)⁠:

Bibliography for tag design/typography, most recent first: 10 related tags, 128 annotations, & 126 links (parent).

• See Also
• Gwern
  • “Subscripts For Citations”, Gwern2020
  • “Design Graveyard”, Gwern2010
  • “Utext: Rich Unicode Documents”, Gwern2023
  • “A/B Testing Indentation & Justification”, Gwern2022
  • “Who Buys Fonts?”, Gwern2021
  • “Design Of This Website”, Gwern2010
  • “Sidenotes In Web Design”, Gwern2020
  • “Lorem Ipsum”, Gwern2020
  • “A/B Testing Long-Form Readability on Gwern.net”, Gwern2012
  • “Fake Journal Club: Teaching Critical Reading”, Gwern2022
  • “Rare Greek Variables”, Gwern2021
  • “Auto-Smallcaps Filter”, Gwern2020
• Links
  • “Invisible Unicode Text That AI Chatbots Understand and Humans Can’t? Yep, It’s a Thing”
  • “My Dead Father Is ‘Writing’ Me Notes Again”
  • “The Monospace Web: A Minimalist Design Exploration”, Wickström2024
  • “How Elon Musk Got Tangled Up in Blue § Homoglyph Attack”, Mac & Conger2024
  • “handwriter.ttf: Handwriting Synthesis With Harfbuzz WASM”, Jingyi2024
  • “ArtPrompt: ASCII Art-Based Jailbreak Attacks against Aligned LLMs”, Jiang et al 2024
  • “StarVector: Generating Scalable Vector Graphics Code from Images”, Rodriguez et al 2023
  • “The LessWrong2022 Review § Cost of Book Production”, Habryka2023
  • “Evolving the Reddit Brand: A More Accessible, Bespoke Typography, New Conversation Bubbles and Colors, and a New Snoo Logo—Now With Opposable Thumbs!”, Reddit2023
  • “TextDiffuser-2: Unleashing the Power of Language Models for Text Rendering”, Chen et al 2023
  • “AnyText: Multilingual Visual Text Generation And Editing”, Tuo et al 2023
  • “HGGC Explores $4 Billion Sale of Typeface Firm Monotype”, Gould & Tan2023
  • “Character-Aware Models Improve Visual Text Rendering”, Liu et al 2022
  • “Colors of an App Icon: 2022 Edition”, Hall2022
  • “Fast Text Placement Scheme for ASCII Art Synthesis”, Chung & Kwon2022
  • “Fooled by Beautiful Data: Visualization Esthetics Bias Trust in Science, News, and Social Media”, Lin & Thornton2022
  • “An Unsupervised Font Style Transfer Model Based on Generative Adversarial Networks”, Zeng & Pan2021
  • “[Jayme Odgers’s Remiscences of Working for Paul Rand]”, Odgers2021
  • “HTCN: Harmonious Text Colorization Network for Visual-Textual Presentation Design”, Yang et al 2021c
  • “Unpaired Font Family Synthesis Using Conditional Generative Adversarial Networks”, Hassan et al 2021
  • “Time Travel: A Live Demo of the Intermedia Hypertext System—Circa 1989”, Meyrowitz2020
  • “ALL-CAPS”, Arbel & Toler2020b
  • “Footnote 36: Redisturbed: In This Issue We’re Focusing on the Redisturbed Typeface For The New Decade [Redisturbed Is a Fresh Look at Our Original Disturbance Typeface from 1993. Looking Deeper at the Concept of a Unicase Alphabet and Designing It for Expanded Use Today. More Weights, Optical Sizes, Language Support and OpenType Features.]”, Tankard2020
  • “Singular: Possible Futures of the Singularity”, Yu & GPT-3 2020
  • “Open Source Fonts Are Love Letters to the Design Community: Typefaces That Be Freely Used and Modified Give Others a Chance to Hone Their Craft—And Share Valuable Feedback”, Finley2020
  • “Free Movie Of the Week”, Things 2020
  • “Text for Proofing Fonts: A Farewell to The Quick Brown Fox”, Hoefler2020
  • “What’s in a Font?: Ideological Perceptions of Typography”, Haenschen & Tamul2019
  • “Moxomenon”, Searls2019
  • “Founding and Growing Adobe Systems, Inc”, Warnock & Geschke2019
  • “popups.js”, Achmiz2019
  • “wikipedia-Popups.js”, Achmiz2019
  • “This Page Is a Truly Naked, Brutalist Html Quine”, Bambrick2019
  • “FIGR: Few-Shot Image Generation With Reptile”, Clouâtre & Demers2019
  • “What Every Engineer Should Know About Inventing § Chapter 4: Theories of Creativity [Wine/printing]”, Middendorf2019 (page 5)
  • “Everyday Printed Matter: Kurt Schwitters’s Experimental Typography”, Pröbsting2019
  • “The First Printed Math Books”, Boardley2019
  • “Spooky Fizz Buzz § Pg42”, Menghrajani2019 (page 42)
  • “Issho: Designed by Dutchscot, London”, Designed2018
  • “Structural Typography: Type As Both Language and Composition”, Heck2018
  • “The Origins of PostScript”, Warnock2018
  • “The Devil’s in the g–tails: Deficient Letter-Shape Knowledge and Awareness despite Massive Visual Experience”, Wong et al 2018
  • “Threading Is Sticky: How Threaded Conversations Promote Comment System User Retention”, Budak et al 2017
  • “From Boiling Lead and Black Art: An Essay on the History of Mathematical Typography”, Smith2017
  • “Implementing Recommendations From Web Accessibility Guidelines: A Comparative Study of Nondisabled Users and Users With Visual Impairments”, Schmutz et al 2017
  • “Blade Runner (Typeset In The Future)”, Addey2016
  • “When Nothing Ever Goes Out of Print: Maintaining Backlist Ebooks”, Elsey2016
  • “Implementing Recommendations From Web Accessibility Guidelines: Would They Also Provide Benefits to Nondisabled Users”, Schmutz et al 2016
  • “Visions of the Future: 14 Space Travel Posters of Colorful, Exotic Space Settings Are Now Available Free for Downloading and Printing”, Goods et al 2016
  • “The Colors Of An App Icon: A Study into the Color Distribution”, Hall2015
  • “Alien (Typeset In The Future)”, Addey2014
  • “‘More Consistent and Systematic Than Any Form of Writing I Know’: Kurt Schwitters’s Systemschrift”, Fuller2014
  • “Simple Ideas That Changed Printing and Publishing”, Warnock2012
  • “Rebuilding the Typographic Society”, Butterick2012
  • Sweating Bullets: Notes about Inventing PowerPoint, Gaskins2012
  • “Hyphenation: Configurable Knuth-Liang Hyphenation”, Kmett2012
  • “The (Mostly) True Story of Helvetica and the New York City Subway”, Shaw2008
  • “The Road to Clarity”, Yaffa2007
  • “Minuscule Type Specimen”, Huot-Marchand2007
  • “The Phenomenon of the “Gros Canon””, Amert2005
  • “Host: Deep into the Mercenary World of Take-No-Prisoners Political Talk Radio”, Wallace2005
  • “Sparkline Theory and Practice”, Tufte2004
  • “Sparkline Theory and Practice”, Tufte2004
  • “Type & Typography: Highlights from Matrix, the Review for Printers and Bibliophiles”, Archive2003
  • “Naked Objects: a Technique for Designing More Expressive Systems”, Pawson & Matthews2001
  • “Joachim of Fiore and Apocalyptic Immanence”, Ziolo2001
  • “Miles Albert Tinker and the Zone of Optimal Typography”, Sutherland1989
  • “Hypertext and the Oxford English Dictionary”, Raymond & Tompa1988
  • “Hypertext ’87: Keynote Address”, Dam1988
  • “The Printing of Mathematics”, Wishart1988
  • “Embedded Menus: Selecting Items in Context”, Koved & Shneiderman1986
  • “Readability of Computer-Generated Fill-Justified Text”, Trollip & Sales1986
  • “Meta-Font, Metamathematics, and Metaphysics: Comments on Donald Knuth’s Article ‘The Concept of a Meta-Font’”, Hofstadter1982
  • “The Concept of a Meta-Font”, Knuth1982
  • “The Letter S”, Knuth1980
  • “Saul Bass Pitch Video for Bell System Logo Redesign”, Bass1969
  • Legibility of Print, Tinker1963
  • The Printing of Mathematics: Aids for Authors and Editors and Rules for Compositors and Readers at the University Press, Oxford, Chaundy et al 1954
  • “The Art of Spacing: A Treatise on the Proper Distribution of White Space in Typography”, Bartels1926
  • “Jgs Font”
  • “The World’s First Code-Free Sparkline Typeface: Displaying Charts in Text without Having to Use Code”
  • “Why Are Tech Companies Making Custom Typefaces?”
  • “Occlution Grotesque”
  • “Screen Serif Fonts”, Achmiz2024
  • “Explaining Code Using ASCII Art”
  • Web Typography, Rutter2024
  • “Markdeep Features: Admonitions”, McGuire2024
  • “Markdeep Features: Multiple Columns”, McGuire2024
  • “List of Pangrams”
  • “CTAN: /tex-Archive/language/hyph-Utf8”
  • “Departure Mono”
  • “Tufte CSS”
  • “PARANOIA SANS”
  • “Bad-Apple-Font: Playing ‘Bad Apple!​!’ With Harfbuzz WASM Shaper”, Jingyi2024
  • “How I Did Relay Quine”
  • “z80-Sans: OpenType Font That Disassembles Z80 CPU Instructions”, nevesnunes 2024
  • “Y-Combinator Codex”
  • “Past Lives of the Paragraph”
  • “Hamiltonian Cycles on Ammann-Beenker Tilings”
  • “ASCII Silhouettify Color Gallery”
  • “Butterick’s Practical Typography”
  • “Programming Prayer: The Woven Book of Hours (1886–87)”
  • “The Model Book of Calligraphy (1561^–₃₅1596_428ya) [Image Gallery]”, Review2024
  • “W. W. Denslow’s Illustrations for The Wonderful Wizard of Oz”
  • “Digital Color Meter User Guide for Mac”
  • “Toshi Omagari”
  • “WALL·E”
  • “Ragtag Grab-Bag”
  • “Website Design—Why Do People Not Notice Our Enormous, Prominent, Clear and Contrasting Purple Banner?”
  • “Scunthorpe Sans: a Profanity-Blocking Font”
  • “Typophile”
  • “Japanese Sound Effects and What They Mean”
  • “Japanese Web Design: Why You So2003?”
  • “Notes on Monospace, Fonts, ASCII, Unicode”
  • Fontemon
  • “Sunrise Font”
  • “The Effect of CRTs on Pixel Art”
  • “Kicks Condor”, Condor2024
  • “MonoLisa: Font Follows Function”
  • “Towards Moore’s Law Software: Part 3 of 3”
  • “Decoding the Defiance of Henry VIII’s First Wife”
  • “A Letter We’ve Seen Millions of Times, yet Can’t Write: Despite Seeing It Millions of times in Pretty Much Every Picture Book, Every Novel, Every Newspaper and Every Email Message, People Are Essentially Unaware of the More Common Version of the Lowercase Print Letter ‘G’, Johns Hopkins Researchers Have Found”
  • “Mathematical Notation: Past and Future”
  • “Apple or IPod? Easy Fix for Adversarial Textual Attacks on OpenAI’s CLIP Model!”
  • “Saul Bass Pitch Video for Bell System Logo Redesign § Stripes Are Modern”
  • _Soilleir_
  • “Bracket Symbols”, Munroe2024
  • “Chinese Window Lattice And CSS”
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    • typeface
    • design-evolution
    • cultural-typefaces
    • text-rendering
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• Miscellaneous
• Bibliography