“‘Anime’ Tag”,2013-11-23 (fiction, Japan)⁠:

Bibliography for tag anime, most recent first: 10 related tags, 65 annotations, & 61 links (parent).

• See Also
• Gwern
  • “Review Of The Last Unicorn”, Gwern2024
  • “Why Is Western Animation Ugly?”, Gwern2024
  • “How OVAs Worked”, Gwern2023
  • “Review of The Tale of the Princess Kaguya”, Gwern2016
  • “Umineko: The Hopium Of The Magics”, Gwern2018
  • “Hafu Gender Ratios in Anime”, Gwern2011
  • “The Melancholy of Subculture Society”, Gwern2009
  • “In Defense of Inclusionism”, Gwern2009
  • “The Hyperbolic Time Chamber & Brain Emulation”, Gwern2012
  • “The Melancholy of Kyon”, Gwern2009
  • “Death Note: L, Anonymity & Eluding Entropy”, Gwern2011
  • “Who Wrote The Death Note Script?”, Gwern2009
  • “Why Anime?”, Gwern2011
  • “Poems on the Theme of Genshiken”, Gwern2011
  • “Aria’s Past, Present, and Future”, Gwern2011
  • “Parody in Full Metal Panic!”, Gwern2008
  • “Death Note’s Ending”, Gwern2008
  • “Insert, Abort, Retry?”, Gwern2012
  • “Brave Poem”, Gwern2010
• Links
  • “Thaliarchus on Classic Literature & the Inspiration Behind Cosmic Warlord Kin-Bright: One of the Best ‘Mecha Anime’ of 2024 Is an Epic Alliterative Poem”, Thaliarchus & Wescott2024
  • “Which Summer 2024 Anime Are Popular in the US Compared to Japan?”
  • “Limited Animation, Unlimited Seriality: The Configurations of the Serial in the Anime Series Haha O Tazunete Sanzenri, Akage No An and Tanoshî Mûmin Ikka”, Schwaab2024
  • “Animation Platforms: Yoshiyama Yū, Tropical Rouge! Pretty Cure, and Sakuga As New Media”, Tai2024
  • “The Making of The Last Unicorn”
  • “A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’”, Mes & Agnoli2021
  • “What’s the Story With Shenmue?”, Ciolek2020
  • “Traveling Whimsical Roads With Izumi Matsumoto”, Callahan2020
  • “Skeb Artwork Commissioning Website: Review: Commission Your Favorite Japanese Artists With Auto-Translation”, Worboys2020
  • “Media Mix and Character Marketing in Madoka Magica”, Gough2020
  • “The Effects of Internet Book Piracy: The Case of Comics”, Tanaka2019 (page 2)
  • “The Inner Life of Chinese Teenagers”, Greer2019
  • “How Women’s Manga Has Performed the Image of ASIAs, Globally and Locally”, Ogi2019
  • “TVTropes: Mobile Suit Gundam: Char’s Counterattack”, TVTropes2019
  • “Analysis and Qualitative Effects of Large Breasts on Aerodynamic Performance and Wake of a Miss Kobayashi’s Dragon Maid Character”, Rabino2018
  • “Predicting Personality from Book Preferences With User-Generated Content Labels”, Annalyn et al 2017
  • “Review: Belladonna of Sadness”, Elkins2016
  • “The Ritualization of the ‘Bank System’ in Japanese TV Animation With Hero or Heroine”, Chang & Tseng2015
  • “Otaku Tourism and the Anime Pilgrimage Phenomenon in Japan”, Okamoto2014
  • “Contents Tourism and Local Community Response: Lucky Star and Collaborative Anime-Induced Tourism in Washimiya”, Yamamura2014
  • “Romancing Pigeons: The Deconstruction of the Dating-Sim in Hatoful Boyfriend”, Lamerichs2014
  • “Utena 2011 Boxset Booklet Commentary”, Ikuhara et al 2013
  • “Ero-Anime: Manga Comes Alive”, Sarrazin2011
  • “AMV Remix: Do-It-Yourself Anime Music Videos”, Knobel et al 2010
  • “Nordic Quack: Sweden’s Bizarre Tradition of Watching Donald Duck Cartoons on Christmas Eve”, Stahl2009
  • “Thought Experiments Lain: a Serial Experiments Lain Information Site”, Eng2009
  • “What Race Do They Represent and Does Mine Have Anything to Do With It? Perceived Racial Categories of Anime Characters”, Lu2009
  • “Case Study: Anime Music Videos”, Milstein2007
  • “Rule of Rose Staff Interview”, Atlus2006
  • “Otaku Engagements: Subcultural Appropriation of Science and Technology”, Eng2006
  • “Toshio Okada on the Otaku, Anime History, and Japanese Culture: Luncheon Talk”, Izawa2003
  • “Ralph Bakshi”, Robinson & Bakshi2000
  • “CHAIR”, Mori2000
  • “You Dumb Babies! How Raising the Rugrats Children Became As Difficult As the Real Thing”, Swartz1998
  • “Magical Girls and Atomic Bomb Sperm: Japanese Animation in America”
  • “Excerpts from the Hideaki Anno/Yoshiyuki Tomino Interview from the Char’s Counterattack Fan Club Book (1993_31ya) § Pg4”, Anno et al 1993 (page 4)
  • “Regionalism in Disney Animation: Pink Elephants and Dumbo”, Langer1990
  • “A Grave of Fireflies”, Nosaka1978
  • “An Experimental Study of Apparent Behavior”, Heider & Simmel1944
  • “The Making of Final Fantasy VII”
  • “An Introduction to Limited Animation”
  • “Interview: Anime Soundtracker Yoko Kanno”
  • “Warner Bros Taps Shane Black For Japanese Manga Death Note”
  • “Der Kaiser”
  • “Blendshape and Kinematics Calculator for Mediapipe/Tensorflow.js Face, Eyes, Pose, and Finger Tracking Models.”
  • “Is the Great Attractor a Tengen Toppa Gurren Lagann?”
  • “Akizuki KanColle Wiki”
  • “Cosmic Warlord Kin-Bright: Giant Robot Yuri Space Opera”, Thaliarchus2024
  • “Kemono Friends (anime)”
  • “Rule of Cool”, TVTropes2024
  • “Warner Brings Death to Big Screen: Studio Acquires Rights to Japanese Manga Series”
  • “What’s Opera, Doc?”
  • “Japanese Sound Effects and What They Mean”
  • “How We Should Live—Girls’ Last Tour: Interview With Tsukumizu”
  • Arknights
  • “Japanese Anime Studio Khara Moving to Blender”
  • “Ultimate Rock-Paper-Scissors—Baka-Updates Manga”
  • “Remembering Cyberia, the World’s First Ever Cyber Cafe”
  • “My Deer Friend Nokotan § Torako’s Dance”
  • “The Genius Design of Cowboy Bebop’s Titles”
  • “The Last Unicorn—Theatrical Version—Molly Grue Meeting the Unicorn Scene Uncut”
  • Kaguya Hime No Monogatari, Uta2024
  • “‘Steamed Hams’ but It’s a Visual Novel”
  • “‘Mother’”
  • “Nichijou—Ehhh‽ (Episode 10, Part 41, nagashi Somen in the Park)”
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