Tag Archives: hafu

Mixed Race Assimilation in Japan

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Anonymous student post

According to most assimilation theories, the highest indicator of assimilation is intermarriage. In her 2010 article “What happens after segmented assimilation? An exploration of intermarriage and ‘mixed race’ young people in Britain”, Miri Song explores the identification of mixed race people. The subjects of her study were those who had a single British parent and one immigrant parent, and had grown up in Britain. When asked what group they identify with, many chose the category ‘British’ – claiming that culturally they were British. I believe such findings may be applicable in other settings, not just Britain.

Japan is infamous for not being open to migration. There are only a small percentage of immigrants, especially compared to many other “developed” nations. However, this does not mean there are no intermarriages. In fact, intermarriages have been rapidly increasing recently and Hafu (the term used to call half Japanese, literally meaning ‘half’), have become less of a rare sight. Flick through a few television channels or pages in a magazine and with a high possibility, you will find a Hafu model or celebrity. Recently, Hafu are not only constrained to modeling because of their foreign looks, but also other roles in entertainment.

Comedy duo “Denisu”Here, I would like to bring up the case of Yukio Ueno, a member of the comedy duo ‘denisu’, who is half Japanese and half Brazilian. His character and portrayal in media is a great example of the position of Hafu in Japanese society.

The audience will roar in laughter as he introduces his extremely Japanese name, and mentions that he grew up in Suita city of Osaka. He talks of how he is usually assumed to be a foreigner and treated differently from his Japanese peers. What makes Yukio Ueno funny for the Japanese audience is the fact that he is culturally Japanese but looks foreign.

Yukio Ueno and other similar Hafus symbolize the Japanese attitudes towards at the moment. You can have a Japanese parent, have Japanese nationality, speak Japanese, have a Japanese name, be born and raised in Japan – yet not be treated as Japanese due to features you adopt from your non-Japanese parent. It becomes important for Japanese born and raised Hafus to assert their Japanese-ness, as can be seen in the case of Ariana Miyamoto. Ariana Miyamoto won the Miss Universe Japan contest for 2015, but being half African-American, has been receiving internet abuse for being unfit to represent Japan.

Japan is still less accepting of foreign looks for sure compared to Britain. However, I do believe the Hafu that are born/raised in Japan do identify as culturally Japanese – just as most of the subjects in Song’s study (2010) claims.

However, not all of Song’s subjects (2010) chose the British category. Half-black people chose to identify as the minority category. We see the race of the non-immigrant parent plays a large role in the identification and assimilation of a ‘mixed race’. Race does matter in Japan too. The treatment of a ‘Hafu’ is effected by the race of their immigrant parent. Being half white is usually an advantage over other races. This is perhaps due to the adoration of Caucasian features as aesthetic.

As people continue to move over borders and mixed race people increase, how will concepts of assimilation change??

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Mixed-race and Asian Ideal Beauty

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by Rena Shoji

In “Filipinos and the Color Complex,” the author Joanne Rondilla (2009) discusses the global skin-lightening market and how those products demonstrate the connection between skin color and beauty. She especially focuses on the Philippines, which has gone through multiple colonization by white people, and racial and skin hierarchy have been constructed.

Rondilla argues that even though the standard of beauty in the Philippines is now inspired more by East Asian countries rather than Caucasians, the definition of beauty is still in accordance with white standards. On the one hand, non-white people tend to claim their uniqueness and originality in terms of their aesthetic values. That is, they have their own beauty standards compared to that of other parts of the world. On the other hand, in the era of globalization, it is practically impossible to ignore the influence of the global capitalism, products and ideas. There are so many products that are sold worldwide, and that implies the producers’ one message, such as, “lighter skin is better”.

Even if the message is the same, the strategies can vary depending on the time and trends. Today, it seems that using images of mixed-race Asians is becoming an effective way of marketing in the Philippines and other Asian countries. Rondilla (2009) analyzes that mixed-race people are a “relatable ideal” (p. 71). That is, they can be identified as Asian, yet they have particular features that consumers might seek or wish to have. Thus, mixed-race people can share sameness and avoid Eurocentric aesthetic values while their features are “better” than others. Their commercial values lay on the Caucasian-like features and relatable aspects as Asians.

This mixed-race popularity can be seen in Japan as well. The term hāfu (half) refers to half-Japanese. In most cases, especially in the beauty industry, hāfu refers to people who are half-Caucasian. For example, some beauty magazines feature articles on “how to look like hāfu with makeup”. It always means how to look like someone who is half-Caucasian.

What is different from the case of the Philippines is that half-Japanese models are not featured in advertisements of skin care products, while they are often in advertisements of makeup products. This could be because of the fact that Japanese people tend to think that they have their own skin color (Ashikari, 2005). This gap can stem from the colonization. The Philippines’ multiple experience of colonization makes the Philippines’ standard of beauty unique, and the so-called “color complex” there has been strongly constructed.

With regard to the preference of lighter skin, Japan and the Philippines shared different historical backgrounds. However, in the era of globalization, it seems that these two countries are  influenced by the white standard, although both claim their “uniqueness” and “Asian-ness”.

References

Ashikari, M. 2005. Cultivating Japanese Whiteness: The ‘Whitening’ Cosmetics Boom and the Japanese Identity. Journal of Material Culture 10:73-91

Rondilla, J, L. 2009. Filipinos and the color complex. Pp. 63-80 in Shades of difference: Why skin color matters, edited by Evelyn Nakano Glenn. Stanford, CA: Stanford University Press

My Future, My Nationality

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Note from Editor: Students are reading Anne Allison’s book Precarious Japan, and sharing their thoughts on how their own future plans are impacted by the instability and insecurity that Allison describes.

by Tomoki Bischel

When we students think about our future, we tend to think about graduating school, job hunting, or other facts. I too also think about these facts and feel worried. However, when I think about my future, the first thing that comes in mind is about choosing my nationality. I was born and grew up in Japan, but since I was born half American and half Japanese, I have both nationalities. In Japan, the ministry of justice requires citizens who have a dual nationality to choose either one by the age of 22. Since I will be 20 this year and I only have 2 years left to decide, I am starting to think about this seriously. When thinking about which nationality I should choose, the word ibasho which we discussed in our class came to my mind.

I believe there are many definitions for the word ibasho. For me, ibasho is a place where you feel secure and happy; like when you’re with your friends or family, and I believe our nationality is also one of them to us. Although I was rose in Japan, I had many chances to go to America to meet my relatives. So, for me, not only Japan but America is also one of my ibasho. So, when it comes to have to choose my nationality, it sometimes feels like I have to choose my ibasho and feels almost impossible to choose only one. Some may say that choosing your nationality may not be the same as choosing your ibasho, since you don’t need a nationality to go to a country. However, not having a nationality can narrow choices that you have. For example, if I decide to choose America as my nationality, I won’t be able have suffrage in Japan even though I was born and grew up in this country.

I only have two years left to choose my nationality, and as I have mentioned, this would probably be one of the biggest choices that I will make in life. Having have to choose a nationality, I have a sort of fear against how the other country will look once I choose a nationality. Anyhow, I hope to be able to make a choice that I won’t regret in the future; a choice that will most help me in the future. For me, a nationality isn’t just a passport, it’s my ibasho.

Hurry! Hafu Film Now at Nanagei Cinema in Osaka

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Folks in the Kansai region who missed seeing the Hafu film during its run in Kobe are in luck. The film is showing at Osaka’s Nanagei Cinema, within walking distance of Juso station, until February 21. The film plays once a day, at 6:45pm until February 14, and at 8:35pm from February 15 to 21.

This blog has discussed the film and related issues regarding hafu (people of mixed Japanese ancestry) many times, and the fine folks at the Hafu Project have graced our classrooms on several occasions. This film is an important step in a movement toward a more inclusive notion of Japanese identity. Come be a part of the conversation, and see the film in Osaka before it closes on February 21.

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Symbiosis in the World of Beauty: The Cosmetics Industry and the Western Beauty Ideal

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English: Super Skin Lightener skin lightening ...

English: Super Skin Lightener skin lightening cream (Photo credit: Wikipedia)

by Kyungyeon Chung

Upon walking into a drug store in Japan, one will find an array of cosmetic products that promises hopeful transformation into what today’s Japanese society perceives as beauty. These end results the products promise – fairer, whiter skin, brighter teeth, bigger eyes, and longer eye lashes – all embodying the ideal that originated from the Western, Caucasian-centric beauty standards.

The cosmetics industry, even on a global scale, operates on the platform provided by Western standards of beauty, and especially by the colorism ideology that has penetrated into deep corners of modern society. At the same time, the beauty ideal and colorism are not self-sustaining. Their presence and growing prevalence are made possible by numerous industries that profit from the growth, with the cosmetic industry being a major stakeholder in play. By constantly being made to consume products designed with a limited set of objectives and outcome, the consumers are constantly reminded of the beauty ideals behind the products. The global cosmetics industry and the Western beauty standards based on colorism, mutually reinforce each other’s existence and influence.

In order to fully understand the core of modern society’s beauty standards, it is imperative to know the colorism ideology that frames the entire discourse. Colorism refers to “the preference for lighter skin and social hierarchy based on skin tone”, and has been widely expanding throughout the globe (Glenn, 2009, p.166). Being one of the main axes behind inequality today, it occurs at societal, systemic level through social structure that permits systematic discrimination towards darker skinned people. In many different regions and nations around the world, light skin tone has historically been preferred to dark skin tone, and given higher social status and easier access to social and economic resources (Keith, 2009, p.25). Although the beauty ideal does include other phenotypic aspects than skin complexion such as desirable weight, body shape, and facial structures, skin tone does hold significant importance, if not the most.

This ideology of colorism has been directly translated into the Western beauty ideals. Up high on the list of what composes the ideals is ‘fair’ skin. Having lighter, fairer, and whiter skin gives a great advantage in one’s life, and is central to the very definition of beauty. Having been spread as part of the ideological rationale for slavery and colonial imperialism of the European powers (Keith, 2009, p.27), the “white is better” or “white is right” idea still pervades modern societies thanks to mass media. Today, these ideologies are strongly embedded in ways we admire, desire, and look upon fair skin. Its importance can be easily understood and highlighted by the popular practice of skin whitening, which will be elaborated further later. It is also important to note here that females are subjected to these standards much more frequently and strictly than males (Keith, 2009).

In modern societies with capitalist economic system, the beauty standards manifest themselves as profitable industries whose products promise the achievement of ideal beauty via consumption. As societies are deeply instilled with consumerism, selling and buying beauty have been a huge, popularly sought-after business than ever. Plastic surgery is one of the most common and provocative examples. Cosmetic surgeries have spiked up in number and scale around the world: 14 million surgery procedures were performed in the US in 2011 (American Society of Plastic Surgeons, 2012); close to 7% of the population has undergone knife in South Korea in 2010 (Bates, 2013). A wide range diet-support programs, machines, and food products are readily available to help people lose weight.

Among many industries that thrive on our search for beauty, the cosmetics industry deserves particular attention. For instance, unlike plastic surgery, which may seem invasive, dangerous and rather extreme, putting on makeup is seldom-questioned practice for women. While showing up at school after a holiday with larger breasts may cause a stir, putting on mascara would hardly be an issue. For many, it is a daily routine, an ordinary and even expected behavior. It is also continuous – women who use skin care products will probably continue to do so for years to come. While it may seem trivial at first, considering the commonality and regularity of skin care and makeup, the cosmetics industry is massive, universally pervasive, and commercially successful.

The cosmetics industry owes much of its existence and enduring popularity to the beauty standards. An impressive array of products is available to help people achieve beauty as prescribed by the Western ideal. Eye makeup products are a great example. A dozen different types of products are readily available to make one’s eyes look bigger and more defined: mascara, eyeliner, eye shadow, eyelash curler, eyebrow shaper, highlighter, etc. In East Asia in particular, the desire to have the Western look has also led to the popularity of double eyelid (Bates, 2013). In Korean and Japanese cosmetics shops, one can easily find glue or sticker-like products that hold the skin of upper eyelid together, creating an illusive double-lid. For those unwilling to undergo surgical procedures to create double eyelids, those products are a way to go.

Yet, the segment within the cosmetics industry that is perhaps the most influenced by, shaped by, and reflective of the Western ideals, is skin whitening products. Colorism has effectively produced a social view that associates whiteness with superiority and darkness with primitiveness, something to be avoided and fixed. In her book Shades of Differences, Evelyn Nakano Glenn argues that light skin has come to hold symbolic capital that furthers one’s life chances (2009, p. 166). This relates to the concept of beauty queue in society, whereby the level of beauty and social status are judged by the shades of complexion, the lightest at the top and the darkest at the bottom. For such reason, men and women from all parts of the world have strived for lighter complexion by consuming copious amounts of skin whitening products, supporting a multibillion-dollar global industry.

In the Asia Pacific region, the skin lightening market was valued at over US$13 billion in 2012 (Tan, 2012). In African continent, studies have found that up to 50% of population use skin lightening products in Dakar, Senegal; and even up to 77% in Lagos, Nigeria (Ntambwe, 2004). Almost all major cosmetic brands have a product line specifically dedicated to brightening care: Estée Lauder’s ‘CyberWhite’, Shiseido’s ‘White Lucent’, Clarins’s ‘Bright Plus’, Vichy’s ‘BiWhite’, Chanel’s ‘Le Blanc’. The list is endless. The prevalence and magnitude of the industry indicate how the widespread Western ideal of beauty and reverence for lighter skin tone has led to increasing demand for skin whitening products. The unabated expansion of the skin whitening products is a clear manifestation of colorism in action.

The highly interrelated relationship between the cosmetics industry and the Western beauty ideal can also be traced back from the other way around. The cosmetics industry work to constantly and persistently reinforce the ideal into the mindset of people, making it into an accepted social norm. Commercials by cosmetic firms continuously remind the consumers of what they should look like, and thus eventually what they should consume in order to achieve the said goals. These commercials tactically employ models that will spark the feeling of desire, which make the viewers think the goal – of looking like the model – is attainable. In essence, the models will look Caucasian enough to fit the White beauty standard, yet still possess enough ‘local’ features not to alienate the viewers too much. For instance, in Japan, half-Japanese and half-Caucasian models have rose to prominence for such reasons, brining the ‘ha-fu boom’ in entertainment and media (Krieger, 2010). In such manner, the constant bombardment of strategically produced advertisements on TV, magazines, and in shops, works to ensure the beauty ideal is here to stay.

As seen in the case of skin whitening products, the industry ushers consumers to fix their blemishes and dark spots, to get rid of undesirable features, and to become closer to the ideal beauty. Prominent cosmetic manufactures reveal supposedly bettered, new products every season. The products are ‘upgraded’ in a sense that they claim to produce better results, such as longer eyelashes, darker eye lines, more durability, brighter effects, to name a few. Consumers absorb such ideas: those results are good; those results are better; those results are what they should seek after. Through this process, the beauty standard gets repeatedly ingrained in the subconscious of society as a whole.

There is a wide range of factors at play that help maintain the global obsession with the White ideal of beauty, and especially that of light skin tone. One of the perpetuators is the cosmetics industry. In modern capitalist economy in which consumerism has become the social norm, the cosmetics industry prospers, thanks to the consumers’ ceaseless quest for beauty as dictated by the Western ideal. The quest for fairer skin, in particular, embodies the reality of colorstruck world – to borrow Verna Keith’s words – where colorism is firmly established as part of social structure.

The cosmetics industry and the White beauty ideals function as lifeline to each other. The ideals condition society for the industry to profit from, while the industry works to reinforce the ideals. It is a mutually interdependent, symbiotic relationship. If we want to start tackling the racially charged foundation behind the White ideal of beauty, we must first understand how it is perpetuated and internalized by consumption of products that cement the said ideal. Only when both ends are understood and questioned, can the process of deconstructing the colorstruck world begin.

References

  1. American Society of Plastic Surgeons (2012, September 2). 13.8 million cosmetic plastic surgery procedures performed in 2011. Retrieved from: http://www.plasticsurgery.org/News-and-Resources/Press-Release-Archives/2012-Press-Release-Archives/138-Million-Cosmetic-Plastic-Surgery-Procedures-Performed-in-2011.html
  2. Bates, C. (2013, January 31). 15 million people worldwide had plastic surgery in 2011. Daily Mail Online. Retrieved from: http://www.dailymail.co.uk/health/article-2271134/15million-people-plastic-surgery-world-just-year–SOUTH-KOREA-leading-way.html
  3. Glenn, E. N. (2009). Consuming lightness. In Glenn, E. N. (Ed.), Shades of difference: Why skin color matters. (pp. 166-187). Stanford, CA: Stanford University Press.
  4. Keith, V. (2009). A colorstruck world. In Glenn, E. N. (Ed.), Shades of difference: Why skin color matters. (pp. 25-39). Stanford, CA: Stanford University Press.
  5. Krieger, D. (2010, November 29). The whole story on being ‘hafu’. CNN. Retrieved from: http://travel.cnn.com/explorations/life/whole-story-being-hafu-722376
  6. Ntambwe, M. (2004, March). Mirror mirror on the wall, who is the fairest of them all? Science in Africa. Retrieved from: http://www.scienceinafrica.co.za/2004/march/skinlightening.htm
  7. Tan, D. (2012, September 18). Who’s the fairest of them all? Asian Scientist. Retrieved from: http://www.asianscientist.com/features/skin-whitening-products-asia-2012/ 
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“Gaijin” to Japanese: What Japanese Often Expect from Foreigners

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by Satona Kato

comediansTerry Kawashima argues that people have a consciousness about race, and this consciousness depends on their background. We can see this by comparing various ways of thinking about shojo manga characters by Western people and Japanese people.

In Japan, many people put the people who are not Asian (Japanese, Korean, Chinese, South East Asian) into one category called “gaijin”. Many Japanese people do not think about the country where the “gaijin” were born. Furthermore, they tend to stereotype that sort of people have specific skills. In Japan, some of the people who are unilaterally labeled as “gaijin” have experiences that they are wounded or feel alienated, especially the people who are multiracial or who were born and grown up in Japan.

As you know, in Japan, multiracial models on TV have been popular. Recently, multiracial comedians become popular as well. They do not act like fashion models. They make people laugh by talking the story about the incident happened around them only because they are multiracial. First, Japanese are surprised that they can speak fluent Japanese and cannot speak English or another foreign language. Japanese also laugh at the characteristics the multiracial comedians share with other Japanese.

They had had many troubles and unique experiences which happened just because they are “hafu.” If we listen to their stories, we can know how hafu people are treated by Japanese. For example, Anthony, he is one of the ‘hafu comedians’. He is American and Japanese. People laugh at the fact that his hometown is Tokyo and his father managed a Sushi shop. He has knowledge about sushi because his home is sushi shop, but when he goes to a sushi shop, the master of sushi shop offered him ‘California roll’ and he was surprised. He has had other interesting experiences. He is bad at English, and when he was an elementary school student, he decided to go to English conversation school. On his first day of English conversation school, when he entered the classroom, other students misinterpreted him as an English teacher and they said “Hello, how are you?” to him.

I want to tell you about one more ‘half comedian’, Ueno Yukio. He was laughed at because of his obvious Japanese name. He is Brazilian and Japanese. When he plays soccer, the opposing team judged Yukio was a good soccer player by his appearance and many defenseman surrounded him. The opportunities to watch TV programs in which many ‘half comedians’ gather and talk about the things often happen around them are increasing. According to them, following things often happen: 

  • are judged to be foreign people
  • are often stopped by the police 
  • are asked by Japanese to sing foreign songs 
  • are laughed at by Japanese when they sing Japanese songs
  • are often expected to have high athletic ability
  • have difficulty getting a part time job
  • are invited to BBQ parties or Halloween parties
  • are called ‘Bob’ or ‘Michel’ 
  • are treated as tourists everywhere

Of course their nationality is Japanese and most of their hometown is Japan. Why they are laughed? Why do Japanese people stereotype their abilities? When Japanese look at people who look like “gaijin’’, Japanese often expect some specific skills because they have some assumptions. They think that people who have white, black, or other foreign appearance have foreign names and can speak foreign languages, and cannot speak Japanese at all.

It is true that hafu people are not a majority in Japan and many Japanese have little familiarity with thinking about race. That’s why people have expectations about the skills hafu people have. If hafu do not have these skills, Japanese laugh at them and hafu are unilaterally discouraged. 

Opportunist Beauty in Japan

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Miss Universe Japan 2007 wins Miss Universe 20...

Miss Universe Japan 2007 wins Miss Universe 2007 crown. (Photo credit: Wikipedia)

by Mitsumi Yamamoto

Every year a number of Japanese students in my university decide to participate in a study abroad program (mainly to the US, Canada, and Australia). They usually start to prepare for the coming life in foreign countries by packing stuff or setting up their goals during spring semester in Japan. It was such a time when I often saw the female students dying their hair black again, although they used to have their hair dyed bright colors such as blonde and brown. I asked some of my friends how come they would do so and they answered, “Obviously that is because black hair represents Asian beauty.” Meanwhile within Japan, there is a huge boom about biracial people referred to as “hafu”, especially referring to people of half-Caucasian and half-Japanese (one parent being Japanese and one parent being of Caucasian heritage) (Okamura, 2009). Recently you can see hafu models and celebrities a lot on TV and in magazines, and many Japanese women try to achieve a western-looking face due to their adoration for hafu’s appearance.

Those two standards of beauty that Japanese women have, “Asian beauty” and “Western beauty,” seem to be the opposites of each other. However both standards exist simultaneously as the dominant viewpoints when thinking about what is beauty for Japanese women. Why?

This phenomenon can be explained with a case of African American women competing in the Miss Bronze or black beauty contests during the 1960s and 1970s, when the Civil Rights Movement flourished against discrimination towards black people. Maxine Leeds Craig, a professor of Women’s Studies at the University of California-Davis, pointed out that  at that time black women in the Miss Bronze pageant would realize views of themselves depending on how whites saw blacks, but at the same time this helped them to see the structure of racism (Glenn, 2009). Therefore in order to accept and reject this hierarchy, contestants who had dark skin tone were crowned as winners of Miss Bronze since the 1960s, rather than those with light skin tone, who were considered as the closest color to whiteness. The black beauty came to be used as a demonstration of the value of black people.

Related to this case, what about the pageant of Miss Universe Japan? In spite of the domestic hafu boom, almost all participants of this contest attempt to show their beauty as Asian with typical images of Asian women (e.g., long black hair, slit eyes) (Miss Universe Japan). The same thing can be said of women who stay in foreign countries outside of Japan. Even if the women used to prefer western-looking (e.g., bright colored hair and round eyes) inside of Japan, they somehow start to focus on “Asian beauty,” showing their Asian features to foreigners.

Hence this coexistence of the seemingly opposite standards of beauty and switch between them depending on the situation look similar to the case of African American women. It seems that Japanese women, as representatives of Asian women, would think of themselves as inferior to whites in racial hierarchy and this consciousness would help accepting and rejecting this hierarchy. Therefore Japanese women who have chances to live in an environment filled with Westerners try to behave as one a representative of Asian beauty, although once they are in Japan, they still tend to have the feeling of inferiority toward white people with an ideal to Western-beauty.

References

Okamura, H. (2009). ハーフブームと『ハーフ顔』? [hafu boom and hafu face?]. Retrieved from http://www.kreuzungsstelle.com/column5_10.html

Miss Universe Japan. Miss Universe Japan Official site. Retrieved from http://www.missuniversejapan.com/

Glenn, E. N. (Ed.). (2009). Shades of Difference: why skin color matters. Stanford: Stanford University Press.

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Explorations into being Hafu: Megumi Nishikura at TEDxKyoto 2013

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by Robert Moorehead

In September, filmmaker Megumi Nishikura gave a powerful, moving, and extremely personal presentation at TEDxKyoto. Her film, Hafu, is showing in theaters around the world, and offers an insightful look into the experiences of five hafu in Japan. The film opens in Kobe on November 23, and I can’t wait to see it.

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Who is described as an attractive person?

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by Sakiko Yasumi

Every single month I buy fashion magazines to check what this season’s trend is. I recognize myself as one of the fashion industry’s consumers. The magazines I always buy are imported from US or UK to check the lovely clothing and make-up products introduced in the magazines. Of course all of fashion models appearing in magazines I have are foreigners. If someone had asked me this question before taking this class, “Are you yearning to whiteness?” I might have said “probably, because I think they are beautiful”.

In today’s Japanese society, it is no exaggeration to say that we are not watching TV programs and checking fashion magazines without seeing ‘hafu’ models (in this essay, when I say a “hafu”, it means the mixed person with Caucasian and Japanese). “Hafu” fashion models have been required for TV industries, and girls watching TV programs and checking fashion magazines started to yearn to hafu models due to their “attractive-looking”. Here are three questions: what is “hafu”?, why are Japanese yearning to whiteness?, and what is the definition of “attractiveness” for people in Japan?

According to Wikipedia, The word hafu is used in Japanese “to refer to somebody who is biracial, i.e. ethnically half Japanese”. This definition is that hafu people have two identities but each identity is forced to cut in half to fit in one person, then the person with mixed races becomes considered as a “hafu”. Because Japan is an island nation, had closed the door to foreigners almost for 200 years, and forced Ainu and Okinawa to assimilate into central Japan, there were few mixed people of Japanese and other countries’ ancestries. I think its Japan’s past foreign policy is a main cause of a stereotyped concept which many of Japanese still have.

To answer the second question: “why are Japanese yearning to whiteness?”, we have to think with the third question, “what is the definition of attractiveness for people in Japan”. I found the typical idea of attractiveness for Japanese from the reading “Seeing Faces, Making Races: Challenging Visual Tropes of Racial Difference” by Terry Kawashima, who mentions that girls with “the round eyes and shortish, smallish noses with vertical height are defined as symbols of attractiveness” in Japan. This type of thinking is sticking into our head, and it is a cause of our one-sided idea of attractiveness and having the feeling of yearning to whiteness which is applicable to our general ideal of attractiveness. This could the reason why hafu models become greatly popular in our society, especially for girls.

However, the concept of person’s attractiveness has been changed through reconsidering of Japanese beauty. From 2006 or 2007, two enterprises, Shiseido and Kracie, started to deal in the hair-care products which emphasize Japanese beauty called “TSUBAKI”and ”ICHIKAMI”. These two products stress their concept “Japanese women are beautiful” by using many famous and popular Japanese actresses and models. It has been highly effective. I think this is one of the best ways to make people to realize that Japanese beauty promotes our attractiveness.

To sum up, I don’t mean that whiteness is not attractive, but instead of claiming that, all kinds of skin color, hair style/color, face, body shape are attractive. Thus, there is no need for Japanese women to pursue and yearn to the whiteness. Being yourself and having confident of being Japanese women are the best.

Japanese aspect toward Hafu

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by Ryota Takatsuka

What image do you have of hafu? Hafu means people who have one Japanese parent and one foreign parent. In Japanese, they are sometimes called “Ainoko” or “Konketsuji” and so on. What we can know from these word is that Japanese regard them as a not pure Japanese but as a half blood people. In fact, there are still discrimination against hafu in everywhere. For instance, according to the movie “Hafu project” almost all hafu people who interviewed have an experience that they were not treated as Japanese. In some case, when they were young, they were called “Gaikokujin” (means foreigner) and bullied. In general it is said that child is cruel because they do not cover word. However, what hafu people states is that they are still feeling as if they are outsider of Japanese society and they lost identity “Who am I”. This feeling gives Japanese a question”What make us treat hafu that way”.

In the movie “hafu project”, there some interesting interview of a Japanese young woman. She was asked the image of hafu people she has, and she answered”hafu people is cool and beautiful than us”. The point is she thinks hafu people has different characteristics and hafu is different from other people. In addition to this example, one man stated that he envy hafu, because they are bilingual.  From date which the director of this movie took, Japanese people pointed out almost same image they have such as cool. bilingual, and something about the differences what hafu have. Japanese tend to have image that hafu have a one Japanese aspect and other aspect from parent from oversea. This is why Japanese sometimes treat hafu as a foreigner because of such kind of image.

Due to this,what hafu people think of themselves? Many hafu people states they confuse whether they are Japanese or not. Once they in foreign country they feel I am Japanese, but in Japan they feel like different. This seems related with japanese image of Japanese people.

In my experience, some Japanese have narrow aspect against multiculturalism. Japanese have no education about culture in obligation education system. Japanese have less ability to understand the other aspect from other country, because we do not have knowledge about way of thinking. For example, I met person who is polychronic. He does not care about the time even when I rush him. I learned that there is such kind of idea in the world. As this experience shows Japanese people have to know the difference of other sense so that Japanese people adapt hafu.

Japanese society face aging problem and declining birth rate problem together. Therefore world tend to promote internationalization in terms of society, education and so on. In order to these situation around Japan, foreigner who try to get Japanese citizenship will be precious length for many field. My conclusion is Japanese should set an education about multiculturalism and promote reception of immigrants. Understanding of hafu people will be the key to develop internationalization in Japan.

References

Views from street on hafu (English Version), Hafu project, from  http://www.youtube.com/watch?v=Wi2r23e7fpA

Hafu’s identity, Hafu project, from http://www.youtube.com/watch?v=96SbzJX1Jlw