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Poems

Miscellaneous waka/haiku, by season

Verses composed on particular occasions:

Spring

None remain to see,
under pouring skies, the first
strawberry ripen
 
Long after petting
the armies of black insects
march across the floor
as my cat wages fierce war
for hours on clumps of fur
 
With a sudden swear
lifting my tea mug; for there
—even more cat hair!
 
The sun will rise, yes,
but the mayflies live today;
cold comfort is it
that the storm flies tomorrow
and the sun will rise again
 
fireflies flashing
fulgently in furrowed fields
an old vet shivers
the scars of love, life, and death
soon laved & lifted by death
 
Blossoms are not new
to the world of men, it’s true;
but now and again,
they ought to be reminded
(again, again, and again...)

Summer

Down on the grasses,
I gaze at the summer sun—
And it gazes back!
 
“It is not injust
to take that which none complains”;
so I tell myself
behind the abandoned house
where ripens the green apple
 
The party over
beer bottles and fireflies
duet in twilight
 
Our revels over,
gleaming bottles remain;
and beneath full moons,
the summer fireflies dance—
flaring, sparkling, redoubled
 
Cooling and ceaseless,
some rejoice in summer rains
—earth worms’ worlds’ ending
 
This full August moon
Is the only they will know
So go on, cry on,
You cicadas in the trees!
I will wait for the next moon.

After passing through a tiny Midwestern town, out where the Signal too fades:

Rustling wind tosses
Tow-headed corn this way, that;
Then still the tresses.

“Governor Thomas Johnson Bridge”:

Ivory arcing
Over river scales shining—
The Caroboros!
 
Sudden squeal and stop—
Was the sky always so blue?
Laying back, thinking.
 
Fearful fireflies
Twinkle in the distant dark,
But driving at night
At sixty miles per hour
I meet none along the way
 
Bright lights ahead swerve;
seeing nothing, I too turn.
Thus it is for men,
through the ages—the leader blind,
the follower blinded.

On a sudden shower in the gloaming:

Looking up from work,
we see dark clouds of the rain,
a summer storm starts.
We stop, free, guilt-less, sin-less;
cares drop like the rain.
All is silent, all is cool
—we can’t work in wet.
No blame descends but the rain
and shining sunlight
and green leaves in the bright-dark.
Dust, go with the rain:
let no one think or worry
but have calm clear minds
sitting, waiting on the rain,
content, for once, in
a life of clouded choices
hidden by the rain.
Somewhere someone is slaying,
dying, or crying—
none are bitter in the rain
—a worm eats an eye,
a blood vessel bursts a brain—
here under the rain,
but here it is green, and kind,
and time does not pass
until work returns to mind
and we leave the rain
for the dust of desires.
Only drops remain,
And the world, us defiled,
Us, the world defiling;
each of us working to bring
that last rainstorm without end.

Fall

Autumn leaves floating
on the white-crested waters
slowly, the trees send
year-end letters home to
their mother, the sea
 
Water raising moon
into the sky as of old...
And they felt this too?
—all symbols are reflections,
they wept for it and for them.
 
With the autumn sun
my birthday comes, and it goes;
and the leftover
presents’ discarded wrappings
remind me of my own fate.
 
Death poems are all just
falling blossoms and nonsense:
dying is dying

Papermachine wrote:

What zeal!
the wild nights spent burning
candles,
running up mountains,
churning through paper

Reply:

With such zeal and joy
did I burn those wild nights
in the candle light,
bounding up paper piles
and scaling mountains of thought

Coda:

Now decade the third,
and what do I have to show?
A pile of words
whose value I do not know—
and the cold autumn winds blow
Interior view of a Edo-period Japanese-style study and desk of an impoverished scholar, overlooking a pinetrees in winter, snow from the storm having flooded the room. Generated by Midjourney v5 on 2023-10-22 by Gwern Branwen. (Final prompt: 'woodblock print by Tsuchiya Kōitsu, winter, interior of old house, 1700s, desk, study full of books papers scrolls of impoverished elderly scholar, perspective of pine trees through window, grisaille, shabby gentility, cluttered, sketchy, simplified image, drawing, duotone, Westernized, Van Gogh, Dutch, tea kettle, river, bay window view, closed windows, white, black --ar 2:1'.)
“Where has the time gone?”
I wonder in my study,
rain on the windows;
and the years drip down on me
as yellowed papers
Interior view of a Edo-period Japanese-style study and desk of an impoverished Dutch studies scholar, overlooking a river. Generated by Midjourney v5 on 2023-10-22 by Gwern Branwen. (Final prompt: 'woodblock print by Tsuchiya Kōitsu, interior of old house, 1700s, desk, study full of books papers scrolls of impoverished elderly scholar, perspective of pine trees through window, grisaille, shabby gentility, cluttered, sketchy, simplified image, drawing, duotone, Westernized, Van Gogh, Dutch, tea kettle, river, bay window view, cozy, cottagecore, calm, obscure, mezzotint daguerreotype --ar 11:5'.)

Winter

Keener sorrow than
the cherry blossoms of spring
is today’s snowfall—
weeping to the ground, leaving
not even a flake behind.
Wood-block-print style image in blue-white-gray-black of a California mountain pass during winter after snowfall during spring melt; centered moon, clouds, pine hill left, starry night sky. Generated by Midjourney v5 on 2023-10-20 by Gwern Branwen. (Final prompt: 'Tsuchiya Koitsu woodblock print etching; California mountain pass, dog tracks in snow, trail, animal tracks, blue, white, black, melancholy, realistic, washed-out, spring melt, harmonious colors --no moon, building, sun, star, planet'.)
With the melting frost,
this winter my dog departs.
Only snow returns
again and again; and we
too must vanish like the dew.
Woodblock-print-style red-black-blue three-tone landscape image of a California coastal wildfire at night dramatically lighting up the sky with red, caused by a lightning strike on dry hills, looking out over an inlet into a bay. Generated by Midjourney v5 on 2023-10-14 by Gwern Branwen. (Final prompt: 'a woodblock print of a California coastal cliff, wildfires in the brush after a lightning strike, midnight, clouds, in the style of detailed engraving, Philippe Druillet, Kazuo Koike, William Wendt, harmonious coloration, high resolution, mingei, flame, disaster, the Bay Fire tragedy.')
A stroke of lightning—
none are guaranteed a spring.
Like mountain fires
are the griefs of others:
beautiful, from a distance.
 
(1937–2022)
 
Our lives are rivers
that endlessly flow into
quiet seas of death

2013–112024-10-12

2013112024-10-12

In the summer light
he lays on my window ledge
watching years go by;
and I watch him watch the world…
(and does God watch me watch him?)
 
Slanting noon sun:
the dustmotes watch themselves now,
over empty floors.
 
And like what is grief—
A man in a crowd shuddering
in sudden cold winds
from a distant mountain top
that he alone feels.
 
No, I grieve not; ‘tis
Blowing winds from storms, surely,
Stinging tears from eyes.

Less bitter by far
is tea steeped overnight than
sudden betrayal,
and a life filled only with
the dregs of disappointment.
 
Cold as the ashes
of the fire now gone out
is a man’s shadow
staring at nothing at all
with nothing left he can do.
 
Sharper than snake fangs
and shards of stone on the floor
is a son leaving
a suddenly silent room—
never to be seen again.

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